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| Nothing Will Be As It Was... Tomorrow / Everyday, Everynight |
| Flora Purim |
| első megjelenés éve: 1978 |
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| (2006)
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2 x CD |
| 3.665 Ft
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| 1. CD tartalma: |
| 1. | You Love Me Only
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| 2. | Nothing Will Be as It Was Nada Sera Como Antes
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| 3. | I'm Coming for Your Love
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| 4. | Angels
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| 5. | Corre Nina
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| 6. | Bridges
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| 7. | Fairy Tale Song
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| 8. | Angels (Reprise)
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| 2. CD tartalma: |
| 1. | Everyday, Everynight
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| 2. | Samba Michel
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| 3. | The Hope
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| 4. | Five-Four
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| 5. | Walking Away
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| 6. | I Just Don't Know
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| 7. | In Brasil
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| 8. | Las Olas
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| 9. | Blues Ballad
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| 10. | Overture
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| 11. | Why I'm Alone
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Jazz
Recorded: 1977 - 1978
Flora Purim (vocals); Airto (vocals, percussion); George Duke, Patrice Rushen (keyboards, synthesizer); Jaco Pastorius (bass guitar); Ndugu Leon Chancler (drums)
Brazilian-born and influenced jazz vocalist Flora Purim is perhaps best-known as one of the original members of the Chick Corea-helmed ensemble, Return to Forever. "Nothing Will Be As It Was...Tomorrow" was her first album for Warner Bros., recorded after a number of years on the Milestone label. The album includes the work of George Duke (under the alias Dawili Gonga), several songs by Milton Nascimento, and the Al McKay/Phillip Bailey (Earth Wind and Fire)-penned "Angels." "Everyday, Everynight" was released in 1978, and features songs by Michel Columbier and performances by such notable musicians as Michael & Randy Brecker, David Sanborn, Jaco Pastorius and Herbie Hancock.
Flora Purim
Active Decades: '70s, '80s, '90s and '00s
Born: Mar 06, 1942 in Rio de Janeiro, Brazil
Genre: Latin; Jazz
Styles: Brazilian Jazz, Fusion, Latin Jazz, Vocal Jazz
Influenced by both traditional Brazilian singers and the improvisations of American jazz divas like Ella Fitzgerald and Sarah Vaughan, Flora Purim was one of the most adventurous singers of the 1970s. After meeting and marrying her husband, percussionist Airto Moreira, in their native Brazil, Purim moved with him to the U.S. in the late '60s. Though she worked with Stan Getz and pianist Duke Pearson before the decade ended, it wasn't until joining Chick Corea, Joe Farrell, Stanley Clarke, and Moreira in the original Return to Forever in 1972 that she became well known in the States. Purim showed considerable promise on Forever classics like "500 Miles High" and "Light As a Feather" and lived up to it when she went solo with 1973's Butterfly Dreams. Ranging from superb to passably decent, Purim's Milestone dates of the mid- to late '70s kept her quite visible in the jazz world. Purim's work grew erratic and uneven in the 1980s, and she wasn't recording as often (though she did provide one album for Virgin and three with Moreira for Concord's Crossover label). Purim didn't record very often in the early to mid-'90s either, but she continued to be highly regarded in Brazilian jazz circles.
---Alex Henderson, All Music Guide |
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