  |
|
|
 |
|
2 x CD |
| 4.161 Ft
|
|
| 1. CD tartalma: |
| 1. | 52nd Street Theme
|
| 2. | Tiny's Tempo
|
| 3. | Shaw 'Nuff
|
| 4. | Hot House
|
| 5. | Billie's Bounce
|
| 6. | Now's The Time
|
| 7. | KoKo
|
| 8. | Anthropology
|
| 9. | Yardbird Suite
|
| 10. | Orinthology
|
| 11. | A Night in Tunisia
|
| 12. | Chasin' the Bird
|
| 13. | Relaxin' at Camarillo
|
| 14. | Cheers
|
| 15. | Cheryl
|
| 16. | Buzzy
|
| 17. | Sippin' at Bell's
|
| 18. | Little Willie Leaps
|
| |
| 2. CD tartalma: |
| 1. | Dexterity
|
| 2. | The Hymn
|
| 3. | Bird of Paradise
|
| 4. | Embraceable You
|
| 5. | East of the Sun (and West of the Moon)
|
| 6. | Scrapple from the Apple
|
| 7. | Out of Nowhere
|
| 8. | Quasimado
|
| 9. | Crazeology
|
| 10. | Bird Gets the Worm
|
| 11. | Barbados
|
| 12. | Au-Leu-Cha
|
| 13. | Constellation
|
| 14. | Parker's Mood
|
| 15. | Perhaps
|
| 16. | Steeplechase
|
| 17. | Salt Peanuts
|
Jazz
Charlie Parker - Sax (Alto)
Al Haig - Piano
Argonne Thornton - Piano
Arv Garrison - Guitar
Barney Kessel - Guitar
Big Sid Catlett - Drums
Bud Powell - Piano
Clyde Hart - Piano
Curly Russell - Bass
Dizzy Gillespie - Trumpet
Dodo Marmarosa - Piano
Don Lamond - Drums
Duke Jordan - Piano
Harold "Doc" West - Drums
Howard McGhee - Trumpet
J.J. Johnson - Trombone
Jimmy Butts - Bass
Joe Harris - Drums
John Richard Lewis - Piano
Kenny Dorham - Trumpet
Lucky Thompson - Sax (Tenor), Trombone
Max Roach - Drums
Miles Davis - Trumpet
Milt Jackson - Vibraphone
Nelson Boyd - Bass
Red Callender - Bass
Roy Porter - Drums
Tadd Dameron - Piano
Tiny Grimes - Guitar
Tommy Potter - Bass
Vic McMillan - Bass
Wardell Gray - Sax (Tenor)
60 years ago Charlie “Bird” Parker's revolutionary playing established SAVOY JAZZ as the eye of the Bebop storm that transformed jazz in the 1940's. To commemorate this milestone, Savoy presents this up-dated and expanded version of one of its earliest long-playing records. This must-have set features Bird's best studio and live material from his explosive Savoy and Dial years.
For jazz lovers, it would be hard to find a two-disc collection of saxophonist Charlie Parker's classic recordings that trumps THE GENIUS OF CHARLIE PARKER. This compilation includes Parker's finest work for the Savoy and Dial record labels, and these sessions date back to the mid-to-late 1940s, when bebop was rapidly and indelibly transforming jazz.
There are many highlights on GENIUS. Among them is "Anthropology," performed live and at a breakneck speed. In addition to Parker's solo, which still sounds modern, vibraphonist Milt Jackson's nimble playing adds a layer of sophistication to this track. Other timeless tunes such as "Yardbird Suite," "Now's the Time," and "East of the Sun (and West of the Moon)" remind listeners of Parker's bluesy and lyrical side, while a rare take of "Embraceable You" underscores the tenor man's ability to play slow, dreamy tempos. The swing era may have been the Golden Age of jazz, but these recordings--featuring legends Miles Davis, Dizzy Gillespie, and Max Roach--represent jazz's coming of age.
* Ben Jordan - Engineer
* Bill Kirchner - Liner Notes
* Buck Ram - Producer
* Dan Marx - Production Coordination
* Dan Morgenstern - Liner Notes
* Dick Katz - Liner Notes
* Doug Hawkins - Engineer
* J.J. Stelmach - Art Direction
* Jim Syracusa - Engineer
* Joshua Sherman - Compilation
* Loren Schoenberg - Liner Notes
* Orrin Keepnews - Liner Notes
* Paul Reid III - Mastering, Reissue Engineer
* Ross Russell - Original Session Producer
* Teddy Reig - Original Session Producer
This special edition of The Genius of Charlie Parker was released in commemoration of the alto saxophonist's stint with the Savoy and Dial labels in the '40s, some 60 years prior. The studio sessions were issued under Parker's name with the exceptions of the Tiny Grimes Quintette ("Tiny's Tempo," 1944), the Dizzy Gillespie All Star Quintet ("Shaw 'Nuff," 1945), and the Miles Davis All Stars ("Sippin' at Bell's," 1947). While the studio sessions are marked by jaw-dropping ensemble interplay, the radio broadcasts, taken from live dates at the Royal Roost in New York in 1948 and 1949, show off distinctive, spontaneous brilliance, not only from Bird but from his cohorts as well. While the live broadcast recordings are a bit muddy, the state-of-the-art transfers from acetates and tape masters do brighten up these recommended, early bop sessions.
----Al Campbell, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
