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| 4.401 Ft
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| 1. | Coquette
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| 2. | For Musicians Only
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| 3. | Royal Garden Blues
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| 4. | Tin Roof Blues
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| 5. | Cherry
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| 6. | I'm an Old Cowhand
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| 7. | You Took Advantage of Me
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| 8. | Love Is Just Around the Corner
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| 9. | China Boy
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| 10. | Tin Roof Blues
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| 11. | Royal Garden Blues
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| 12. | Back Home in Indiana
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Jazz
Bill Mustarde - Trombone (Tenor)
Bill Stegmeyer - Clarinet
Bob Dickerson - Drums
Bob Haggart - Double Bass
Cutty Cutshall - Trombone (Tenor)
George Wettling - Drums
Hank D'Amico - Clarinet
Herman Alpert - Double Bass, Guitar
Howard Smith - Piano
Hy White - Guitar
Lawrence "Bud" Freeman - Sax (Tenor)
Lou McGarity - Trombone (Tenor)
Lou Stein - Piano
Pee Wee Erwin - Trumpet
Ray McKinley - Drums
Sam Fidel - Double Bass
Vernon Brown - Trombone (Tenor)
* Frank Greene - Coordination
Bud Freeman
Active Decades: '20s, '30s, '40s, '50s, '60s, '70s and '80s
Born: Apr 13, 1906 in Chicago, IL
Died: Mar 15, 1991 in Chicago, IL
Genre: Jazz
Styles: Dixieland, Swing, Mainstream Jazz, Trad Jazz
When Bud Freeman first matured, his was the only strong alternative approach on the tenor to the harder-toned style of Coleman Hawkins and he was an inspiration for Lester Young. Freeman, one of the top tenors of the 1930s, was also one of the few saxophonists (along with the slightly later Eddie Miller) to be accepted in the Dixieland world and his oddly angular but consistently swinging solos were an asset to a countless number of hot sessions.
Freeman, excited (as were the other members of the Austin High School Gang in Chicago) by the music of the New Orleans Rhythm Kings, took up the C-melody sax in 1923, switching to tenor two years later. It took him time to develop his playing, which was still pretty primitive in 1927 when he made his recording debut with the McKenzie-Condon Chicagoans. Freeman moved to New York later that year and worked with Red Nichols' Five Pennies, Roger Wolfe Kahn, Ben Pollack, Joe Venuti, Gene Kardos and others. He was starred on Eddie Condon's memorable 1933 recording "The Eel." After stints with Joe Haymes and Ray Noble, Freeman was a star with Tommy Dorsey's Orchestra and Clambake Seven (1936-38) before having a short unhappy stint with Benny Goodman (1938). He led his short-lived but legendary Summe Cum Laude Orchestra (1939-40) which was actually an octet, spent two years in the military and then from 1945 on alternated between being a bandleader and working with Eddie Condon's freewheeling Chicago jazz groups. Freeman travelled the world, made scores of fine recordings and stuck to the same basic style that he had developed by the mid-'30s (untouched by a brief period spent studying with Lennie Tristano). Bud Freeman was with the World's Greatest Jazz Band (1968-71), lived in London in the late '70s and ended up back where he started, in Chicago. He was active into his 80s and a strong sampling of his recordings are currently available on CD.
---Scott Yanow, All Music Guide |
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