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| The 1975 Garden State Jam Sessions |
| Art Pepper |
spanyol
első megjelenés éve: 1975
118 perc |
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| (2005)
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| 1. CD tartalma: |
| 1. | Milestones
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| 2. | Over The Rainbow
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| 3. | Blue's Blues
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| 2. CD tartalma: |
| 1. | Groovin' High
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| 2. | All The Things You Are
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| 3. | Donna Lee
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| 4. | Ornithology
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| 5. | Ballad Medley: Easy Livin / You Don't Know What Love Is / Here's That Raindy Day
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Jazz
CD 1: Art Pepper All-Sta
Recorded in San Diego, 1975 - 48:50 min.
CD 2: Art Pepper Quintet
Recorded in Pasadena, 1975 - 69:02 min.
This double CD set contains outstanding Californian jam sessions never issued before in any form. The first disc reproduces a jam recorded in San Diego in March 1975 by the tenor saxophonist Harold Land. The frontline soloists are: the great East Coast trumpeter Blue Mitchell, and the fabulous West Coast saxes Harold Land, Buddy Collette and Art Pepper; playing tunes such as "Milestones" or "Over the Rainbow".
The second disc includes the five titles recorded in concert at the legendary Pasadena Civic Auditorium, to commemorate the 20 anniversary of the Charlie Parker’s death. Obviously, the repertoire was classic tunes performed by Bird ("Groovin’ High", "Donna Lee", "Ornithology", et altri), played here by an All Stars quintet featuring Art Pepper on alto sax, Sahib Shihab on baritone sax, Joe Albany on piano, and Harry Babasin on bass.
Art Pepper
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Sep 01, 1925 in Gardena, CA
Died: Jun 01, 1982 in Panorama City, CA
Genre: Jazz
Styles: Opera, Bop, Cool, Post-Bop, Hard Bop, West Coast Jazz, Mainstream Jazz, Jazz Instrument, Saxophone Jazz
Despite a remarkably colorful and difficult life, Art Pepper was quite consistent in the recording studios; virtually every recording he made is well worth getting. In the 1950s he was one of the few altoists (along with Lee Konitz and Paul Desmond) that was able to develop his own sound despite the dominant influence of Charlie Parker. During his last years, Pepper seemed to put all of his life's experiences into his music and he played with startling emotional intensity.
After a brief stint with Gus Arnheim, Pepper played with mostly black groups on Central Avenue in Los Angeles. He spent a little time in the Benny Carter and Stan Kenton orchestras before serving time in the military (1944-1946). Some of Pepper's happiest days were during his years with Stan Kenton (1947-1952), although he became a heroin addict in that period. The 1950s found the altoist recording frequently both as a leader and a sideman, resulting in at least two classics (Plays Modern Jazz Classics and Meets the Rhythm Section), but he also spent two periods in jail due to drug offenses during 1953-1956. Pepper was in top form during his Contemporary recordings of 1957-1960, but the first half of his career ended abruptly with long prison sentences that dominated the 1960s. His occasional gigs between jail terms found him adopting a harder tone influenced by John Coltrane that disturbed some of his longtime followers. He recorded with Buddy Rich in 1968 before getting seriously ill and rehabilitating at Synanon (1969-1971). Art Pepper began his serious comeback in 1975 and the unthinkable happened. Under the guidance and inspiration of his wife Laurie, Pepper not only recovered his former form but topped himself with intense solos that were quite unique; he also enjoyed occasionally playing clarinet. His recordings for Contemporary and Galaxy rank with the greatest work of his career. Pepper's autobiography -Straight Life (written with his wife) is a brutally honest book that details his sometimes horrifying life. When Art Pepper died at the age of 56, he had attained his goal of becoming the world's great altoist.
---Scott Yanow, All Music Guide |
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