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| Mosaic Select 15 - Art Pepper |
| Art Pepper |
| első megjelenés éve: 1957 |
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| (2007)
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3 x CD |
| 9.650 Ft
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| 1. CD tartalma: |
| 1. | Pepper Returns (A)
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| 2. | Broadway (A)
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| 3. | You Go To My Head (A)
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| 4. | Angel Wings (A)
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| 5. | Funny Blues (A)
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| 6. | Five More (A)
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| 7. | Minority (A)
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| 8. | Patricia (A)
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| 9. | Mambo De La Pinta (A)
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| 10. | Walkin' Out Blues (A)
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| 11. | Straight Life (B)
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| 12. | Yardbird Suite (B)
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| 13. | Pepper Steak (B)
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| 14. | You're Driving Me Crazy (B)
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| 15. | Tenor Blooz (B)
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| 2. CD tartalma: |
| 1. | Blues In (C1)
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| 2. | Bewitched, Bothered And Bewildered (C1)
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| 3. | Stompin' At The Savoy (C1)
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| 4. | What Is This Thing Called Love (C1)
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| 5. | Blues Out (C1)
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| 6. | Diane's Dilemma (C2)
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| 7. | When You're Smiling (C2)
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| 8. | Cool Bunny (C2)
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| 9. | Summertime (C2)
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| 10. | Diane's Dilemma (C2)
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| 11. | What Is This Thing Called Love (D)
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| 12. | A Foggy Day (D)
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| 13. | Diane-A-Flow (D)
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| 14. | Zenobia (D)
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| 15. | Angel Eyes (D)
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| 3. CD tartalma: |
| 1. | Holiday Flight (E)
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| 2. | Too Close For Comfort (E)
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| 3. | Long Ago And Far Away (E)
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| 4. | Begin The Beguine (E)
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| 5. | I Can't Believe That You're In Love With Me (E)
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| 6. | Summertime (E)
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| 7. | Fascinatin' Rhythm (E)
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| 8. | Body And Soul (E)
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| 9. | Without A Song (E)
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| 10. | The Breeze And I (E)
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| 11. | Surf Ride (E)
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| 12. | Webb City (E)
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| 13. | Begin The Beguine (E)
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| 14. | Fascinatin' Rhythm (E)
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| 15. | Webb City (E)
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Jazz
(A) Art Pepper, alto sax; Jack Sheldon, trumpet; Russ Freeman, piano, Leroy Vinnegar, bass; Shelly Manne, drums.
Recorded at Capitol Studios, Los Angeles on August 1956.
Recording engineer; John Kraus
Originally issued on THE RETURN OF ART PEPPER (Jazz West JWLP-10)
(B) Art Pepper, alto sax, tenor sax; Red Norvo, vibes; Gerald Wiggins, piano; Ben Tucker, bass; Joe Morello, drums.
Recorded at Western Recorders, Los Angeles on January 3, 1957
Recording engineer: Don Blake
Originally issued on COLLECTIONS - JOE MORELLO (Intro ILP-608)
(C) Art Pepper, alto sax; Russ Freeman, piano; Ben Tucker, bass; Chuck Flores, drums.
C1 recorded at Radio Recorders, Los Angeles on December 28, 1956
Recording engineer: Thomas Nogar
C2 recorded at Master Recorder, Los Angeles on January 14, 1957
Recording engineer: Bunny Robine
#1-8 Originally issued on MODERN ART (Intro ILP-606)
#9 & 10 originally issued on the CD version of MODERN ART (Blue Note B2-46868)
(D) Art Pepper, alto sax; Bill Perkins, tenor sax; Jimmy Rowles, piano; Ben Tucker, bass; Mel Lewis, drums.
Recorded at the Radio Annex Studio in Los Angeles on December 11, 1956
"Angel Eyes", which does not include Pepper, originally issued on SOLO FLIGHT (Pacific Jazz JWC 505)
All others originally issued on JUST FRIENDS - BILL PERKINS Pacific Jazz PJM 401
(E) Art Pepper, alto sax; Carl Perkins, piano; Ben Tucker, bass; Chuck Flores, drums.
Recorded at Audio Arts, Los Angeles on April 1, 1957
The alternate takes were originally issued on THE ART OF THE ART Nadja (Japan) PA-3140/41.
All others originally issued on THE ART OF PEPPER (Omega reel-to-reel tapes OMT 7020 & ST-2030)
Original sessions produced by Herbert Kimmel (A), Don Clark (B, C, probably E), Richard Bock (D). Session E is stereo. All others are mono.
Note: The periodic cymbal distortion on session E is in the original tapes, as is the flutter at 1:56 of "Holiday Flight", the drop-out at 5:06 of "Begin The Beguine" and the muffled audio at 3:48 on "Surf City".
"This marvelous three-CD box in the Mosaic Select series collects the sessions he recorded between August of 1956 and April of 1957...this music definitively proves his genius and creative hunger;"
--- Harvey Siders, Jazztimes
Like Bud Shank, Art Pepper was a West Coast alto saxophonist deeply under the spell of Charlie Parker when everyone around him was more influenced by the cool school of Lester Young and Miles Davis. It is precisely the confluence of those two musical approaches that enabled Pepper (and Shank) to develop a warm, vibrant sound and a unique style rooted in Bird and graced with Pres's thoughtful lyricism.
As these 1956-57 Aladdin recordings attest, there can be little doubt that during the mid-to-late 1950s Art Pepper was at one of the several performing peaks that characterized his career in jazz, playing with great assurance, imaginative resourcefulness and burning intensity. They represent some of this alto saxophonist's best and most gripping work. Throughout, he plays with riveting passion and beauty, surrounded by his peers. This set starts with The Return Of, a quintet date with Jack Sheldon, Russ Freeman, Leroy Vinnegar and Shelly Manne. Modern Art, which features Freeman, Ben Tucker and Chuck Flores, includes two bonus tracks. Carl Perkins, Tucker and Flores are on the extended Art Of Pepper date, originally issued only on reel-to-reel tape, which includes three alternate takes.
Also in the set are five tunes from a Joe Morello session, on which Pepper makes one of this earliest appearances on tenor, and a Bill Perkins date featuring Pepper made during the same time frame for Pacific Jazz.
For each of these exceptional sessions, we have returned to the original master tapes and remastered them in 24-bit with greatly improved results from all previous issues. |
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