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| Mosaic Select 25 - McCoy Tyner |
| McCoy Tyner |
amerikai
első megjelenés éve: 1970 |
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| (2007)
[ LIMITED ]
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3 x CD |
| 9.840 Ft
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| 1. CD tartalma: |
| 1. | Vision (A)
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| 2. | Song Of Happiness (A)
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| 3. | Smitty's Place (A)
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| 4. | Peresina (A)
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| 5. | I Thought I'd Let You Know (A)
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| 6. | Planet X (B)
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| 7. | Vibration Blues (C1)
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| 2. CD tartalma: |
| 1. | Song For My Lady (C2)
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| 2. | Cosmos (C2)
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| 3. | Shaken, But Not Forsaken (C2)
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| 4. | Message From The Nile (D)
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| 5. | The Wanderer (D)
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| 6. | Survival Blues (D)
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| 7. | His Blessings (D)
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| 3. CD tartalma: |
| 1. | Forbidden Land (E)
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| 2. | Asian Lullaby (E)
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| 3. | Hope (E)
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| 4. | Malika (F)
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| 5. | Asante (F)
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| 6. | Goin' Home (F)
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| 7. | Fulfillment (F)
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Jazz
(A) Woody Shaw, trumpet; Gary Bartz, alto sax, wooden flute; Wayne Shorter, tenor sax, clarinet; Ron Carter, cello; McCoy Tyner, piano; Herbie Lewis, bass; Freddie Waits, drums.
Recorded on August 23, 1968
Originally issued on EXPANSIONS (Blue Note BST 84338)
(B) McCoy Tyner, piano; Herbie Lewis, bass; Freddie Waits, drums.
Recorded on November 22, 1968
Originally issued on COSMOS (Blue Note BNLA-460-2)
(C1) McCoy Tyner, piano; Herbie Lewis, bass; Freddie Waits.
Recorded on April 4, 1969
Originally issued on COSMOS (Blue Note BN-LA460-2)
(C2) Harold Vick, soprano sax; Al Gibbons, reeds, flute; McCoy Tyner, piano; Herbie Lewis, bass; Freddie Waits, drums, Julian Barber, Emanuel Green, violin; Gene Orloff, viola; Kermit Moore, cello.
Recorded on April 4, 1969
Originally issued on COSMOS (Blue Note BN-LA460-2)
(D) Gary Bartz, alto sax; Wayne Shorter, tenor sax, soprano sax; Alice Coltrane, harp; McCoy Tyner, piano; Ron Carter, bass; Elvin Jones, drums.
Recorded on February 9, 1970
Originally issued as EXTENSIONS (Blue Note BN-LA006)
(E) Gary Bartz, alto sax; soprano sax; Hubert Laws, flute, alto flute; Andrew White, oboe; McCoy Tyner, piano; Herbie Lewis, bass; Freddie Waits, drums, tympani, chimes.
Recorded on July 21, 1970
Originally issued on COSMOS (Blue Note BN-LA460-2)
(F) Andrew White, alto sax; McCoy Tyner, piano, wooden flute; Ted Dunbar, guitar; Buster Williams, bass; Billy Hart, drums, African percussion, Mtume, congas, percussion, Songai Sandra Smith, vocals.
Recorded on September 10, 1970
Originally issued on ASANTE (Blue Note BN-LA223)
Original sessions produced by Duke Pearson
All sessions recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey
Recording engineer: Rudy Van Gelder
Produced for release by Michael Cuscuna
Mastered in 24 bit by Ron McMaster
"An innovator in the current abstract/modal style, McCoy can play with dazzling speed and power and then temper his fiery brilliance with his own brand of lyricism." - Billy Taylor, original liner notes Cosmos
Limited Edition: 5000 copies
An Identity Emerges
This set covers the last two years of McCoy Tyner's tenure with Blue Note, beginning with the pianist's Expansions, the first album on which his own identity as a leader-composer-pianist came ringing through.
With Woody Shaw, Gary Bartz, Wayne Shorter, Ron Carter (on cello), Herbie Lewis and Freddie Waits, he fashioned a new sound, inspired by, but not mimicking his work with the John Coltrane Quartet. McCoy blended modality, Eastern music, African elements and spirituality into a music that was unmistakably his own.
Unfortunately neither this album nor its extraordinary follow-up Extensions with Bartz, Shorter, Alice Coltrane (on harp), Carter and Elvin Jones received the recognition they deserved at the time. So three more superb dates sat in the vaults Asante, with Andrew White, Ted Dunbar, Buster Williams, Billy Hart and Mtume was issued in 1974. The rest of the music on this set was finally issued on the 1976 double album Cosmos. One session features a sextet with Bartz, White and Hubert Laws; the other is a magnificent date which adds two reeds and string quartet to Tyner's trio and includes the first version of "Song For My Lady."
In 1972, McCoy signed with the Milestone label and gradually his fortunes began to change. McCoy's new sound had found a receptive audience; record sales increased and McCoy was able to keep a band together and working. By the late seventies, he was one of the most popular and best-paid acoustic jazz artists in the world. The music in this set, five brilliant, innovative sessions over a 25-month period, represents the seeds of that success. |
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