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Kérjen
árajánlatot! |
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| 1. | A Shade of Joe
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| 2. | Moxy
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| 3. | You Don't Know What Love Is
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| 4. | Don't Breathe on Me
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| 5. | P.C. Wannabe
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| 6. | Red Suit
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| 7. | I Could Write a Book
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| 8. | Beautiful Love
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Jazz
Recorded:
* Track 1 - February 9, 2000 at Ironwood Studios, Seattle
* Tracks 3,5,6 - May 21, 2005 at Studio X, Seattle
* Tracks 2,4,7,8 - May 7, 2007 at Avast II Studios, Seattle
RICHARD COLE - tenor & soprano sax
RANDY BRECKER - trumpet (1,3,5,6)
THOMAS MARRIOTT - trumpet (1)
DAVID MARRIOTT - trombone (1)
BILL ANSCHELL - piano (2,4,5,7,8)
JOHN HANSEN - piano (3)
RANDY PORTER - piano (1)
MARC SEALES - fender rhodes (6)
DAVE PETERSON - guitar (1)
GLENN LORBIECKI - guitar (6)
JEFF JOHNSON - bass (2,4,7,8)
CHUCK DEARDORF - bass (3,5,6)
CHUCK BERGERON - bass (1)
GARY HOBBS - drums (1,3,5,6)
JOHN BISHOP - drums (2,4,7,8)
CHRIS STROMQUIST - congas, shekere (3)
Richard Cole's latest recording showcases the versatile saxophonist in like-minded and stellar company. With trumpeter Randy Brecker again making an appearance, Shade is instantly compelling. Both rollicking and serene, Shade varies the program, from the back-beat of "Red Hat" to the 50's mainstream sound of pianist Bill Anschell's "Lana." Cole also supplies modern impressions of "Beautiful Love" and "I Could Write a Book" while showcasing several dynamic originals including the opening track "A Shade for Joe," a nod to the great Joe Henderson.
Produced by Richard Cole
Co-producers: Bill Anschell & Dr. Ronald Cole
Recorded and mixed by Reed Ruddy
Additional Recording: Glenn Sound, Seattle, WA in June, 2007
Engineered by Glenn Lorbiecki
Mixed at Robert Lang Studios, July/August 2007
Assisting Engineers: Sam Hofstedt, Jeff Gall, Austin Held, John Ziemski
Mastered by Ross Nyberg, Ross Nyberg Mastering, Sept. 6, 2007
Photography by Jim Linna, Appeal Studios, Seattle
Road photographs by Andrew Cribb
Cole in performance photo by Todd Bishop
Cover design by John Bishop
Shade is an outstanding album of contemporary jazz from (mostly) tenor saxman Richard Cole. This album opens with a bang and a slightly larger ensemble in something of a tribute to Joe Henderson. Cole, as well as trumpeters Thomas Marriott and Randy Brecker, take some outstanding solos here. In pianist Bill Anschell's composition "Moxy," the band slims down to a quartet and combines a frenetic piano with Monk-inspired horns. A Fender Rhodes is called into play, along with an extra guitar, for a laid-back groove through "Red Suit" (written by Cole's brother), which also gives Brecker another showing on the trumpet. From end to end, it's a fine album, with a good showcase of Cole's sax skills as well as a supporting cast with outstanding abilities and a constant groove.
---Adam Greenberg, All Music Guide |
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