  |
|
|
 |
|
CD |
Kérjen
árajánlatot! |
|
| 1. | Slide, Frog, Slide
|
| 2. | The Second Line
|
| 3. | Give It Up
|
| 4. | Too Late
|
| 5. | Take a Ferry Boat to New Orleans
|
| 6. | Corrine, Corrina
|
| 7. | Hindustan
|
| 8. | Nobody Knows the Way I Feel This Morning
|
| 9. | Tiger Rag
|
| 10. | Preservation Blues
|
| 11. | Hush-A-Bye
|
| 12. | Everybody Loves My Baby
|
| 13. | Tishomingo Blues
|
| 14. | You Don't Understand
|
| 15. | Magnolia's Wedding Day
|
| 16. | Doin' the Crazy Walk
|
| 17. | Diga Diga Doo
|
| 18. | Bill Bailey
|
| 19. | Willie the Weeper
|
| 20. | Trombone Cholly
|
| 21. | Papa De-Da-Da
|
| 22. | Tuxedo Tag
|
Jazz
Paul Barbarin - Drums
Paul Barbarin & His New Orleans Jazz Band
Chris Barber - Trombone
Eddie Smith - Banjo, Clarinet
Emanuel Sayles - Banjo
Ernie Cagnolatti - Trumpet
Graham Burbridge - Drums
Jim Bray - Bass
Lester Santiago - Piano
Lonnie Donegan - Banjo
Louis Nelson - Trombone
Micky Ashman - Bass
Ottilie Patterson - Vocals
Patrick Halcox - Cornet, Trumpet
Placide Adams - Bass
Punch Miller's Bunch
Ron Bowden - Drums
2 LPs on 1 CD:
* Paul Barbarin & His Jazz Band/Punch Miller's Bunch/JAZZ AT PRESERVATION HALL 3 (1963)
* Chris Barber/HERE IS CHRIS BARBER (1958).
JAZZ AT PRESERVATION HALL 3:
Paul Barbarin & His Jazz Band
Paul Barbarin (drums); Ernie Cagnolatti (trumpet); Waldren "Frog" Joseph (trombone); Louis Cottrell (clarinet)
Emanuel Sayles (banjo); Lester Santiago (piano); Placide Adams (bass)
Punch Miller's Bunch
Ernest "Punch" Miller (trumpet); Louis Nelson (trombone); George Lewis (clarinet); Emanuel Sayles (banjo); Papa John Jospeh (bass); Abbey "Chinee" Foster (drums)
Originally released on Atlantic (1410).
HERE IS CHRIS BARBER
Chris Barber (trombone); Pat Halcox (trumpet); Monty Sunshine (clarinet); Lonnie Donegan (banjo); Jim Bray (bass); Ron Bowden (drums)
Originally released on Atlantic (1292)
Composed of musicians whose life stories cover the whole range of the jazz legend, Paul Barbarin & His Jazz Band and Punch Miller's Bunch were two true artists of New Orleans' Bourbon Street. They're joined on this Jazz at Preservation Hall album by saxophonist George Lewis and by an outing from UK trombonist and Dixieland band leader Chris Barber.
* Allan Jaffe - Music Consultant, Talent Coordinator
* Cosimo Matassa - Engineer
* Denis Preston - Supervisor
* Eric Tomlinson - Engineer
* Lee Friedlander - Cover Photo
* Marvin Israel - Cover Design
* Nesuhi Ertegun - Supervisor
Both of these sessions are from the Atlantic vaults and have been paired up and reissued on CD by Collectables. Along with their respective bands, both Paul Barbarin and Chris Barber provide authentic New Orleans jazz performed at Preservation Hall in 1963. While these musicians were getting on in age, that didn't stop them from vigorous playing. This is authentic Crescent City jazz, played by some of the original practitioners, and it shows, especially in the traditional tunes "Slide Frog Slide," "Nobody Knows the Way I Feel This Morning," and "Preservation Blues." On the other hand, trombonist Chris Barber and his band from England attempt Dixieland, and compared to the previously mentioned music, his session is less gritty, bordering at times on corny with tunes like "Bill Bailey," "Diga Diga Doo," and "Everybody Loves My Baby."
---Al Campbell, All Music Guide
Paul Barbarin
Active Decades: '40s, '50s and '60s
Born: May 05, 1899 in New Orleans, LA
Died: Feb 17, 1969 in New Orleans, LA
Genre: Jazz
Styles: New Orleans Jazz
One of the top New Orleans drummers, Paul Barbarin was also quite significant as both a bandleader (his groups almost always boasted high musicianship) and as a composer (he wrote "Bourbon Street Parade" and "The Second Line"). Part of a large musical family, Paul's father Isadore played brass instruments; three of his brothers were musicians (including Louis, who was also a fine drummer), and his nephew was banjoist Danny Barker. Paul started on clarinet before saving up enough money to buy a set of drums. He played in many important New Orleans groups, including the Silver Leaf Orchestra and the Young Olympia Band, and early on developed a basic, straightforward style that was perfectly suitable for both parades and dances; the press roll was his specialty. In 1917, Barbarin moved to Chicago, playing with local groups (including some that he led) and with Freddie Keppard and Jimmie Noone. From 1923-24, he returned to New Orleans, where he performed with the Onward and Excelsior bands, before moving back to Chicago late in 1924 to join King Oliver (1925-27). After more time back in New Orleans, Barbarin relocated to New York in 1928, where he joined Luis Russell's notable band, staying until 1932 and anchoring one of the top jazz groups of the era. After leaving Russell, Barbarin freelanced in both New York and New Orleans and then rejoined Russell in 1935, staying with the pianist when the orchestra became Louis Armstrong's backup band. In 1938 he left to lead his own group in New Orleans, and after a short stint back with Armstrong in 1941, he became a member of Red Allen's sextet (1942-43). Other than a period with Sidney Bechet in 1944 and some work with Art Hodes in Chicago (1953), Barbarin mostly led his own bands from this point on (including the Onward Brass Band, which he founded in 1955), staying based in his hometown. It was somehow fitting that, when he passed away, it was while taking part in a New Orleans street parade. Through the years, Paul Barbarin recorded with King Oliver, Luis Russell, Jelly Roll Morton, Louis Armstrong and Sidney Bechet, in addition to leading many sessions of his own (starting in 1950) for 504, Circle, GHB, Jazztone, Atlantic, Good Time Jazz, Southland and Nobility.
---Scott Yanow, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
