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| Small Talk at 125th & Lenox |
| Gil Scott-Heron |
| első megjelenés éve: 1972 |
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| (2007)
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CD |
| 3.380 Ft
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| 1. | Revolution Will Not Be Televised
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| 2. | Omen
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| 3. | Brother
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| 4. | Comment No.1
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| 5. | Small Talk At 125th And Lenox
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| 6. | Subject Was Faggots
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| 7. | Evolution (And Flashback)
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| 8. | Plastic Pattern People
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| 9. | Whitey On The Moon
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| 10. | Vulture
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| 11. | Enough
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| 12. | Paint It Black
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| 13. | Who'll Pay Repartions For My Soul-
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| 14. | Everyday
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Jazz
Gil Scott-Heron (spoken vocals); David Barnes (vocals, percussion); Eddie Knowles, Charlie Saunders (congas).
Includes liner notes by Nat Hentoff and Gil Scott-Heron.
A rerelease of the 1970 album by poet and singer, Gil Schott-Heron, who later became one of the inspiring figures for the hip hop movement.
All of his later problems with the law aside, Gil Scott-Heron's recordings are undisputed for their place in the evolution of black music in America. In 1970, at the age of 21, the nascent poet and novelist Scott-Heron began his recording career with SMALL TALK AT 125th AND LENOX--a collection of his poetry set to the percussion and vocal accompaniment of Eddie Knowles, Charlie Saunders, and David Barnes. Reflecting the frustration of Black America at the close of the 1960s, SMALL TALK AT 125TH AND LENOX is a powerful picture of America at a singular time and place. Scott-Heron's verse is relentless and uncompromising and his voice is infused with passion and anger that demands to be heard. The incendiary subject matter and critical tone of tracks "The Revolution Will Not Be Televised" and "Enough" foreshadow the politics of future hip-hop acts like Public Enemy and X-Clan. While the albums that followed are made up of more conventionally structured songs, SMALL TALK is primarily spoken word, with Scott-Heron and company working piano-driven grooves on just three tracks--"The Vulture," "Who'll Pay Reparations on My Soul?" and "Everyday." |
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