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| Kelly at Midnite [AKA Kelly at Midnight] |
| Wynton Kelly |
első megjelenés éve: 1960
33 perc |
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| (1999)
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CD |
| 5.268 Ft
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| 1. | Temperance
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| 2. | Weird Lullabye
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| 3. | On Stage
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| 4. | Skatin'
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| 5. | Pot Luck
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Jazz / Hard Bop
Recorded: April 27, 1960, New York
Wynton Kelly - Piano
Paul Chambers - Bass
Philly Joe Jones - Drums
"This 1960 date was a first-rate trio outing with Kelly given the space to demonstrate subtlety and flair, harmonic precision, melodic brilliance and rhythmic diversity. He was backed by a pair of rhythm dynamos, bassist Paul Chambers and drummer Philly Joe Jones. While a CD session less than 33 minutes is a bit short considering current prices, there is no complaint about the music's beauty."
— Ron Wynn (AMG)
Billy Vera Series Supervision
Bob Fisher Digital Remastering, Remastering
Chuck Stewart Photography
Cozy Noda Digital Remastering
Jordi Pujol Compilation, Reissue
Matthew Eberhart Art Direction
Nat Hentoff Liner Notes
Sid McCoy Producer, Supervisor, Engineer, A&R
Wynton Kelly
Active Decades: '50s, '60s and '70s
Born: Dec 02, 1931 in Jamaica
Died: Apr 12, 1971 in Toronto, Ontario, Canada
Genre: Jazz
Styles: Hard Bop
A superb accompanist loved by Miles Davis and Cannonball Adderley, Wynton Kelly was also a distinctive soloist who decades later would be a strong influence on Benny Green. He grew up in Brooklyn and early on played in R&B bands led by Eddie "Cleanhead" Vinson, Hal Singer, and Eddie "Lockjaw" Davis. Kelly, who recorded 14 titles for Blue Note in a trio (1951), worked with Dinah Washington, Dizzy Gillespie, and Lester Young during 1951-1952. After serving in the military, he made a strong impression with Washington (1955-1957), Charles Mingus (1956-1957), and the Dizzy Gillespie big band (1957), but he would be most famous for his stint with Miles Davis (1959-1963), recording such albums with Miles as Kind of Blue, At the Blackhawk, and Someday My Prince Will Come. When he left Davis, Kelly took the rest of the rhythm section (bassist Paul Chambers and drummer Jimmy Cobb) with him to form his trio. The group actually sounded at its best backing Wes Montgomery. Before his early death, Kelly recorded as a leader for Blue Note, Riverside, Vee-Jay, Verve, and Milestone.
---Scott Yanow, All Music Guide |
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