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| 3.950 Ft
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| 1. | Digga Digga Do
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| 2. | Winin' Boy Blues
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| 3. | Song of the Wanderer
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| 4. | Ain't Misbehavin'
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| 5. | Blues My Naughty Sweetie Gives to Me
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| 6. | Anah's Blues
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| 7. | Lover, Come Back to Me
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| 8. | Etta
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| 9. | I'm Comin' Virginia
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| 10. | Rose Room
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| 11. | Nick Warms Up
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| 12. | Rose Room
Alternate Take
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| 13. | I'm Comin' Virginia
Alternate Take
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| 14. | Lover, Come Back to Me
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| 15. | Winin' Boy Blues
Alternate Take
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| 16. | Digga Digga Do
Alternate Take
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| 17. | Careless Love
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| 18. | Song of the Wanderer
Alternate Take
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| 19. | Ain't Misbehavin'
Alternate Take
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| 20. | Blues My Naughty Sweetie Gives to Me
Alternate Take
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| 21. | Etta
Alternate Take
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Jazz
Legendary pianist Art Hodes was on the jazz scene since the late 20s, working with such stalwarts as Sidney Bechet, Frank Teschemaker, George Brunis and many more. Over the decades he recorded for numerous labels including many successful sides with clarinetist Albert Nicholas for Blue Note in the '40s. Nicholas played with King Oliver and Jelly Roll Morton in the late '20s, Louis Armstrong and Chick Webb in the '30s, and was a major figure in the traditional jazz revival in New York in the '40s. This 1959 session also features the rhythm section of Earl Murphy on bass and Fred Kohlman on drums.
Albert Nicholas
Active Decades: '20s, '30s, '40s, '50s, '60s and '70s
Born: May 27, 1900 in New Orleans, LA
Died: Sep 03, 1973 in Basle, Switzerland
Genre: Jazz
Styles: New Orleans Jazz
A superb clarinetist with an attractive mellow tone, Albert Nicholas had a long and diverse career but his playing was always consistently rewarding. He studied with Lorenzo Tio, Jr. in New Orleans, and played with cornet legends Buddy Petit, King Oliver, and Manuel Perez while in his teens. After three years in the Merchant Marines, he joined King Oliver in Chicago for much of 1925-1927, recording with Oliver's Dixie Syncopators. He spent a year in the Far East and Egypt, arriving in New York in 1928 to join Luis Russell for five years. Nicholas, who had recorded in several settings in the 1920s, sounded perfectly at home with Russell, taking his solos alongside Red Allen, J.C. Higginbottham, and Charlie Holmes. He would later re-join Russell when the pianist had the backup orchestra for Louis Armstrong a few years later, and Nicholas also worked with Jelly Roll Morton in 1939 (he had recorded with Morton previously in 1929). Things slowed down for a time in the early '40s, but the New Orleans revival got him working again in the mid-'40s with Art Hodes, Bunk Johnson, and Kid Ory; by 1948, the clarinetist was playing regularly with Ralph Sutton's trio at Jimmy Ryan's. In 1953, Nicholas followed Sidney Bechet's example and moved to France where, other than returning to the U.S. for recording sessions in 1959 and 1960, he happily remained for his final 20 years.
---Scott Yanow, All Music Guide |
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