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| 3.950 Ft
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| 1. | How'm I Doin'?
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| 2. | Apex Blues
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| 3. | High Society
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| 4. | Oh! Didn't He Ramble
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| 5. | Snag It
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| 6. | Southside
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| 7. | What a Wonderful World
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| 8. | That Da Da Strain
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| 9. | Through the Night
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| 10. | Panama
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| 11. | Sophisticated Lady
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| 12. | Minnie the Moocher
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| 13. | Black and Tan Fantasy
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| 14. | Huff and Puff
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Jazz
"Snag It" is a celebration of Franz Jackson as well as a study in exuberance by trombonist Jim Beebe's Chicago Jazz. Jackson is the band featured artist and Beebe wanted to present all facets of the artistry. " I think everyone should understand that franz is the total jazz musician," Beebe says. "Beyond that, he is also a complete entertainer. So I wanted to showcase Franz the clarinetist and Franz the tenor and soprano saxophonist both as a soloist and an ensemble player. And of course ther's Franz the singer. The singing is very important."
Franz Jackson
Active Decades: '20s, '30s, '40s, '50s, '60s, '70s, '80s and '90s
Born: Nov 01, 1912 in Rock Island, IL
Genre: Jazz
Styles: Dixieland, Swing, Trad Jazz
One of the last survivors of the pre-swing era, Franz Jackson (a fine tenorman and clarinetist) remained active into the next century, recording for Parkwood with Marcus Belgrave, and enjoying the release of a 2000 performance on Delmark. He worked in the Chicago area starting in 1926, including with Albert Ammons, Carroll Dickerson (1932 and 1934-1936), Jimmie Noone (1934), Roy Eldridge (1937), and Fletcher Henderson's orchestra (1937-1938). Jackson traveled to New York with Eldridge (1938-1939), played in California with Earl Hines' orchestra (1940-1941), and then worked with Fats Waller (1941) and the Cootie Williams big band (1942). Stints with Frankie Newton (1942-1943) and Wilbur DeParis (1944-1945) followed, and he played in the Pacific on several USO tours. In the mid-'50s, after returning to Chicago, Franz Jackson formed his Original Jazz All Stars, a group that lasted for around 20 years. He recorded for Riverside in 1961, Delmark, and for his own label Pinnacle; Jackson also recorded with Art Hodes in 1974. He continued playing regularly in the Chicago area during the next several decades.
---Scott Yanow, All Music Guide |
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