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Keep It Simple
Curtis Fuller, Javon Jackson, Doug Carn, Rodney Jordan, Fritz Wise
első megjelenés éve: 2005
(2005)

CD
3.906 Ft 

 

IMPORT!
Kosaramba teszem
1.  Spoken Intro
2.  The Court
3.  Maze
4.  Girl Talk
5.  A La Mode
6.  Lover Man
7.  Western Sunrise
8.  Arabia
9.  I Didn't Know What Time It Was
10.  Diane
11.  It's You or No One
Jazz

Curtis Fuller - Trombone
Doug Carn - Piano
Fritz Wise - Drums
Javon Jackson - Sax (Tenor)
Rodney Jordan - Bass

* Brad Wrolstad - Design
* Jacey Falk - Producer
* Jeff Franklin - Engineer, Mastering, Mixing
* Joe Fields - Executive Producer
* Prescott McDonald - Photography
* Vincent Pelote - Liner Notes

Taking off from 2004's Up Jumped Spring, trombonist Curtis Fuller once again reunites with a former Art Blakey's Jazz Messengers alum for a set of standards and original compositions. Joining Fuller this time is tenor saxophonist Javon Jackson, who played with Blakey from the late '80s until the drummer's death in 1990. Together they reignite the fiery, soulful Jazz Messenger aesthetic on such standout Fuller tunes as the John Coltrane-influenced "Maze" and the swinging hard boppish "A La Mode." Backing Fuller here is pianist Doug Carn, bassist Rodney Jordan, and drummer Fritz Wise.
---Matt Collar, All Music Guide



Curtis Fuller

Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 15, 1934 in Detroit, MI
Genre: Jazz
Styles: Hard Bop, Mainstream Jazz

Curtis Fuller belongs in the select circle with J.J. Johnson, Kai Winding and a few others who make the trombone sound fluid and inviting rather than awkward. His ability to make wide octave leaps and play whiplash phrases in a relaxed, casual manner is a testament to his skill. Fuller's solos and phrases are often ambitious and creative, and he's worked in several fine bands and participated in numerous great sessions. Fuller studied music in high school, then began developing his skills in an army band, where he played with Cannonball Adderley. He worked in Detroit with Kenny Burrell and Yusef Lateef, then moved to New York. Fuller made his recording debut as a leader on Transition in 1955, and recorded in the late '50s for Blue Note, Prestige, United Artists and Savoy. He was a charter member of The Jazztet with Benny Golson and Art Farmer in 1959, then played in Art Blakey's Jazz Messengers from 1961 to 1965. There were additional recording dates for Warwick, Smash/Trip, Epic, and Impulse in the '60s. Fuller toured Europe with Dizzy Gillespie's big band in 1968, then did several sessions in New York. During the '70s, he experimented for a time playing hard bop arrangements in a band featuring electronic instruments, heading a group with guitarist Bill Washer and Stanley Clarke. He concluded that phase with the '73 album Crankin.' Fuller toured with the Count Basie band from 1975 to 1977, and did dates for Mainstream, Timeless, and Bee Hive. He co-led the quintet Giant Bones with Winding in 1979 and 1980, and played with Art Blakey, Cedar Walton and Benny Golson in the late '70s and early '80s. During the '80s, Fuller toured Europe regularly with the Timeless All-Stars, and performed and recorded with the revamped Jazztet in addtion to leading a fine session for Savoy in 1993.
---Ron Wynn, All Music Guide

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