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| 1. | Sweet child
I'm wild about you
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| 2. | I never knew how wonderful you were
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| 3. | I'm in love with you, that's why
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| 4. | No fooling
vocals: Lewis James, Franklyn Baur, Elliott Shaw
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| 5. | Louisiana
vocals: Bing Crosby, Jack Fulton, Charles Gaylord, Austin Yo
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| 6. | Changes
vocals: Bing Crosby, Al Rinker, Harry Barris, Jack Fulton, C
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| 7. | Ol' man river from `Show Boat'
vocal: Bing Crosby
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| 8. | There ain't no sweet man that's worth the salt of my tears
vocals: Bing Crosby, Al Rinker, Harry Barris, Jack Fulton, C
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| 9. | Who do you love? from `Vanities'
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| 10. | I'll always remember you
vocal: Austin Young
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| 11. | Make believe from `Show Boat'
vocal: Bing Crosby
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| 12. | You took advantage of me from `Present Arms'
vocals: Bing Crosby, Jack Fulton, Charles Gaylord, Austin Yo
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| 13. | Do I hear you saying from `Present Arms'
I love you vocals: Bing Crosby, Al Rinker, Charles Gaylord
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| 14. | If I had a talking picture of you from film `Sunny Side Up'
vocal: Bing Crosby
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| 15. | I'm a dreamer ... aren't we all? from film `Sunny Side Up'
vocals: Bing Crosby, Al Rinker, Harry Barris, Jack Fulton
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| 16. | My lucky star from `Follow Through'
vocal: Norman Clark
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| 17. | Button up your overcoat from `Follow Through'
vocal: Vaughn de Leath
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| 18. | Blue night
vocal: Jack Fulton
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| 19. | Sittin' on a rainbow
vocals: The King's Jesters
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| 20. | Old New England moon
vocal: Jack Fulton
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| 21. | Love in bloom from film `She Loves Me Not'
vocal: Jack Fulton
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| 22. | Afterglow
vocal: Jimmie Brierley
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| 23. | True
vocal: Jack Fulton
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| 24. | Japanese sandman
feat. Paul Whiteman's Swinging Strings
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Jazz
CDEA6129 marks the first appearance of the legendary American orchestra of Paul Whiteman in Vocalion's CDEA series. This release compiles several of Lancashire-born Whiteman's - the so called `King of Jazz' - most popular and enduring recordings from the 1920s and '30s, many of which feature the talents of famous names including Bix Beiderbecke, Frank Trumbauer, the Dorsey brothers, Joe Venuti and Bing Crosby. Indeed, Crosby lends his vocal talents to numbers such as the Whiteman orchestra's beautiful renditions of 'Make Believe' and 'Ol' Man River' from Showboat, while the vocal trio of Bing Crosby, Harry Barris and Al Rinker - collectively known as The Rhythm Boys - are heard on 'I'm a Dreamer...Aren't We All?' from the film Sunny Side Up.
The well-documented improvisational skills of Bix Beiderbecke are heard on 'There Ain't No Sweet Man Worth the Salt of My Tears', and 'You Took Advantage of Me' features exciting solos by Bix and Frank 'Tram' Trumbauer. Also included are classic Whiteman recordings such as 'Japanese Sandman' and 'If I Had a Talking Picture of You'.
Paul Whiteman
Active Decades: '20s and '30s
Born: Mar 28, 1890 in Denver, CO
Died: Dec 29, 1967 in Doylestown, PA
Genre: Jazz
Because press agents dubbed him "The King of Jazz" in the 1920s, Paul Whiteman has always been considered a controversial figure in jazz history. Actually, his orchestra was the most popular during the era and at times (despite its size) it did play very good jazz; perhaps "King of the Jazz Age" would have been a better title.
Originally a classically trained violinist, Paul Whiteman led a large Navy band during World War I and always had a strong interest in the popular music of the day. In 1918, he organized his first dance band in San Francisco and, after short periods in Los Angeles and Atlantic City, he settled in New York in 1920. His initial recordings ("Japanese Sandman" and "Whispering") were such big sellers that Whiteman was soon a household name. His superior dance band used some of the most technically skilled musicians of the era in a versatile show that included everything from pop tunes and waltzes to semi-classical works and jazz. Trumpeter Henry Busse (featured on "Hot Lips" and "When Day Is Done") was Whiteman's main star during the 1921-1926 period. Seeking to "make a lady out of jazz," Whiteman's symphonic jazz did not always swing, but at Aeolian Hall in 1924 he introduced "Rhapsody in Blue" (with its composer George Gershwin on piano) in what was called "An Experiment in Modern Music." Red Nichols and Tommy Dorsey passed through the band but it was in 1927, with the addition of Bix Beiderbecke, Frankie Trumbauer, and Bing Crosby (the latter originally featured as part of a vocal trio called the Rhythm Boys), that Whiteman began to finally have an important jazz band. Joe Venuti and Eddie Lang soon joined up, and many of Whiteman's recordings of 1927-1930 (particularly the ones with Bill Challis arrangements) are among his finest.
After Beiderbecke left the band in 1929 and Whiteman filmed the erratic but fascinating movie The King of Jazz in 1930, the Depression forced the bandleader to cut back on his personnel (which at one time included two pianos, tuba, bass sax, string bass, banjo, and guitar in its rhythm section). Although his orchestra in the 1930s at times featured Bunny Berigan, Trumbauer, and both Jack and Charlie Teagarden, Whiteman's music was considered old hat by the time of the swing era and he essentially retired (except for special appearances) by the early '40s. Many of his recordings (particularly those with Beiderbecke) have been reissued numerous times and are more rewarding than his detractors would lead one to believe. In the 1970s, Dick Sudhalter for a time organized and led "the New Paul Whiteman Orchestra" which recorded a couple of fine recreation records.
---Scott Yanow, All Music Guide |
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