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New York State of Mind
Harry Allen, Rossano Sportiello, Joel Forbes, Chuck Riggs, John Allred
első megjelenés éve: 2009
(2009)

CD
5.061 Ft 

 

IMPORT!
Kosaramba teszem
1.  Puttin' on the Ritz
2.  Harlem Nocturne
3.  Broadway Melody
4.  Autumn in New York
5.  Down in the Depths on the 90th Floor
6.  Sidewalks of New York
7.  New York State of Mind
8.  Rose of Washington Square
9.  New York, New York
10.  Chinatown My Chinatown
11.  Manhattan Serenade
Jazz / Mainstream Jazz

Rossano Sportiello - Piano
Chuck Riggs Drums
Joel Forbes Bass
John Allred Trombone, Guest Appearance
Manfred Knoop Mixing, Mastering, Producer, Engineer
Marcel van den Broek Cover Photo, Cover Design, Art Direction

"Rhythmic edge and endless flow of ideas ... a first division tenor player."
-- The Daily Telegraph

"Rich and satisfying when he's balladeering, mind-blowing when he's cooking."
-- Jazz Journal

Thirteen splendid portraits of New York!
Harry Allen's tenor sax is smooth as ever, with the same tight quintet as his Hits by Brits release except that Rossano Sportiello's piano replaces Joe Cohn's guitar.



Harry Allen

Active Decades: '80s, '90s and '00s
Born: Oct 12, 1966 in Washington, D.C.
Genre: Jazz
Styles: Swing, Mainstream Jazz

Fathers serious about seeing their sons one day becoming famous athletes begin developing their offspring's skills at a very young age. In the case of Harry Allen's father, who was a big band drummer, he played jazz records each day for Harry before he went off to kindergarten. Starting off with accordion lessons, there was a fortuitous switch to saxophone a few years later. Attending Rutgers University, Allen studied saxophone with Sahib Shibab, Bob Mintzer, and John Purcell. In 1989, he graduated from Rutgers with a degree in jazz tenor saxophone. While at Rutgers, Allen got his first gig with the help of master bass player Major Holley, where he replaced Zoot Sims at a studio recording with John Bunch, George Masso, Bucky Pizzarelli, and Ruby Braff. During the session, Dizzy Gillespie dropped by. Quite heady company for a young tenor player doing his first recording. Wholley also led Allen to Oliver Jackson, who Allen subsequently accompanied on several tours to Europe. A 1986 session with Kenny Barron was Allen's first recording date. After that, Allen had 19 recordings to his name for such labels as Progressive, Audiophile, and Nagel-Heyer. Later, his recordings were with major label RCA-Victor. Three of his discs have been awarded a Gold Disc by Swing Journal Magazine and his CD Tenors Anyone won both the Gold Disc and New Star awards. He has recorded as a sideman with Bucky Pizzarelli (with whom he performs quite frequently), Warren Vache, and Jeff Hamilton. Allen's musical inspiration and interpretive approach come from the giants and innovators of mainstream saxophone, including Coleman Hawkins, Ben Webster, Stan Getz, Illinois Jacquet, and Lester Young. Unlike many of his contemporaries, Allen has pretty much eschewed the modern, avant-garde, and impressionist schools of jazz of John Coltrane, Archie Shepp, and Ornette Coleman. Allen continues to record extensively and makes frequent appearances at jazz festivals and concerts.
---Dave Nathan, All Music Guide

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