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| 4.041 Ft
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| 1. | I Know What I Want
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| 2. | Conversations
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| 3. | Sunrise
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| 4. | Sunflower
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| 5. | I'm a Lover
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| 6. | A Woman With Love in Her Eyes
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| 7. | Charlotte
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| 8. | Down Home Blues
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| 9. | Bella
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| 10. | Homecoming
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| 11. | Soundboard: Blue in the Closet [Rewind Playback][*]
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Jazz / Bop
Herb Ellis - Guitar
Andy Bradley Mixing, Engineer
Bernie Grundman Mastering
Cynthia S. Kinney Design, Cover Illustration, Illustrations
David Craig Bass
Jane Minarovic Production Coordination
Randall Hage Jamail Producer
Rebecca Coupe Franks Trumpet
Scott A. Tirapelli Post Producer
Sebastian Whittaker Drums
Stefan Karlsson Piano
Suzanne Gilchrist Production Coordination
This 1996 CD features a previously unreleased session by guitarist Herb Ellis during the period when he was recording for Justice. Ellis is teamed with pianist Stefan Karlsson, bassist David Craig, drummer Sebastian Whittaker and (on some cuts) trumpeter Rebecca Coupe Franks. The music is fairly conventional straight-ahead jazz, most notable for consisting of ten Ellis originals, several of which are blues-oriented. Most memorable among the new melodies are "Sunrise" and "Sunflower." Ellis plays well, although few surprises occur. ~ Scott Yanow, All Music Guide
Herb Ellis
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Aug 04, 1921 in Farmersville, TX
Genre: Jazz
Styles: Bop, Cool, Mainstream Jazz, Swing, West Coast Jazz
An excellent bop-based guitarist with a slight country twang to his sound, Herb Ellis became famous playing with the Oscar Peterson Trio during 1953-1958. Prior to that, he had attended North Texas State University and played with the Casa Loma Orchestra, Jimmy Dorsey (1945-1947), and the sadly under-recorded trio Soft Winds. While with Peterson, Ellis was on some Jazz at the Philharmonic tours and had a few opportunities to lead his own dates for Verve, including his personal favorite, Nothing but the Blues (1957). After leaving Peterson, Ellis toured a bit with Ella Fitzgerald; became a studio musician on the West Coast; made sessions with the Dukes of Dixieland, Stuff Smith, and Charlie Byrd; and in the 1970s became much more active in the jazz world. He is on the first three Concord releases, interacting with Joe Pass on the initial two, and toured with the Great Guitars (along with Byrd and Barney Kessel) through much of the 1970s into the '80s. After a long series of Concord albums, Herb Ellis cut a couple of excellent sessions in the 1990s for Justice, as well as 1999's Burnin' on Acoustic Music.
---Scott Yanow, All Music Guide |
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