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Texas Swings |
Herb Ellis |
első megjelenés éve: 1994 52 perc |
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(1994)
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 CD |
4.041 Ft
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1. | Billie's Bounce
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2. | I Can't Believe That You're in Love With Me
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3. | The Old Rugged Cross
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4. | Country Boy
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5. | Undecided
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6. | It Had to Be You
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7. | Rosetta
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8. | Blues in G
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9. | Sweet Georgia Brown
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10. | America the Beautiful
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Jazz / Bop
Herb Ellis - Guitar Bernie Grundman Mastering Bobby Bruce Violin Cynthia S. Kinney Design Dave Hoskins Photography Floyd Domino Piano Herb Remington Guitar (Steel) Johnny Gimble Violin Johnny Perkins Violin Larry Greenhill Producer Randall Hage Jamail Mixing, Producer Regina A. Saenz Production Assistant Scott A. Tirapelli Production Coordination Tommy Allsup Bass Tommy Alsup Bass Tommy Perkins Drums Willie Nelson Guitar
Texas-born guitarist Herb Ellis teams up with a variety of country musicians on this Justice CD for a set of Western swing-oriented jazz. Essentially an instrumental country date with Ellis as one of the lead voices, the enjoyable set also has Willie Nelson's guitar added on some of the tracks along with steel guitar, two violinists and a standard rhythm section. The twangy sound of the steel guitar may not appeal to everyone but the fairly basic music (mostly swing standards) is played with plenty of spirit. This recording gives Ellis a fresh setting after years in trios and quartets. ~ Scott Yanow, All Music Guide
Herb Ellis
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s Born: Aug 04, 1921 in Farmersville, TX Genre: Jazz Styles: Bop, Cool, Mainstream Jazz, Swing, West Coast Jazz
An excellent bop-based guitarist with a slight country twang to his sound, Herb Ellis became famous playing with the Oscar Peterson Trio during 1953-1958. Prior to that, he had attended North Texas State University and played with the Casa Loma Orchestra, Jimmy Dorsey (1945-1947), and the sadly under-recorded trio Soft Winds. While with Peterson, Ellis was on some Jazz at the Philharmonic tours and had a few opportunities to lead his own dates for Verve, including his personal favorite, Nothing but the Blues (1957). After leaving Peterson, Ellis toured a bit with Ella Fitzgerald; became a studio musician on the West Coast; made sessions with the Dukes of Dixieland, Stuff Smith, and Charlie Byrd; and in the 1970s became much more active in the jazz world. He is on the first three Concord releases, interacting with Joe Pass on the initial two, and toured with the Great Guitars (along with Byrd and Barney Kessel) through much of the 1970s into the '80s. After a long series of Concord albums, Herb Ellis cut a couple of excellent sessions in the 1990s for Justice, as well as 1999's Burnin' on Acoustic Music. ---Scott Yanow, All Music Guide |
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