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| Replay X3 (4DVD) |
| Rush |
| első megjelenés éve: 2006 |
| Rock |
| (2006)
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4 x DVD video |
| 11.937 Ft
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| 1. DVD video tartalma: |
| 1. | Intro
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| 2. | Limelight
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| 3. | The Trees
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| 4. | Xanadu
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| 5. | Red Barchetta
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| 6. | Freewill
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| 7. | Closer to the Heart
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| 8. | Yyz
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| 9. | By/Tor and the Snow Dogs/in the End
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| 10. | Yyz Credits
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| 2. DVD video tartalma: |
| 1. | Intro -- Grace Under Pressure
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| 2. | The Spirit of Radio
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| 3. | The Enemy Within
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| 4. | The Weapon
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| 5. | Witch Hunt
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| 6. | New World Man
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| 7. | Distant Early Warning
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| 8. | Red Sector a
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| 9. | Closer to the Heart
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| 10. | Yyz
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| 11. | Temples of Syrinx
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| 12. | Tom Sawyer
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| 13. | Vital Signs
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| 14. | Finding My Way
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| 15. | In the Mood
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| 3. DVD video tartalma: |
| 1. | Intro -- a Show of Hands
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| 2. | The Big Money
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| 3. | Marathon
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| 4. | Turn the Page
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| 5. | Prime Mover
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| 6. | Manhattan Project
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| 7. | Closer to the Heart
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| 8. | Red Sector a
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| 9. | Force Ten
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| 10. | Mission
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| 11. | Territories
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| 12. | The Rhythm Method
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| 13. | The Spirit of the Radio
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| 14. | Tom Sawyer
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| 15. | 2112
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| 16. | La Villa Strangiato
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| 17. | In the Mood
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| 18. | Lock and Key
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| 19. | Credits -- a Show of Hands
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| 4. DVD video tartalma: |
| 1. | Intro -- Grace Under Pressure
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| 2. | The Spirit of the Radio
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| 3. | The Enemy Within
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| 4. | The Weapon
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| 5. | Witch Hunt
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| 6. | New World Man
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| 7. | Distant Early Warning
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| 8. | Red Sector a
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| 9. | Closer to the Heart
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| 10. | Yyz/Temples of Syrinx/Tom Sawyer
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| 11. | Vital Signs
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| 12. | Finding My Way/in the Mood
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Disc 1-3: DVD
Disc 4: CD
Adam Abrams - Executive Producer
Alex Lifeson - Bass Pedals, Guitar, Guitar (Acoustic), Guitar (Electric), Liner Notes, Mixing, Synthesizer, Vocals (Background)
Andrew MacNaughtan - Photography
Bill Baker - Director
Bill Fertig - Live Sound
David Mallet - Director
Deborah Samuel - Photography
Dimo Safari - Photography
Fin Costello - Photography
Geddy Lee - Bass, Bass Pedals, Executive Producer, Guitar, Guitar (Bass), Keyboards, Liner Notes, Producer, Synthesizer
Glenn Wexler - Photography
Grant Lough - Producer
Hugh Syme - Art Direction, Booklet Design, Design, Program Design
Jeff Fura - Executive Producer
Jim Burgess - Synthesizer Programming
John Diaz - Producer
Jon Erickson - Engineer
Larry Allen - Technician
Larry Jordan - Director
Len Epand - Producer
Lex Balten - Post Producer
Liam Birt - Crew, Stage Manager, Technician
Michael Hirsh - Stage Manager
Mike Fraser - Mixing
Mike McLoughlin - Merchandising
Neil Peart - Drums, Electronic Percussion, Liner Notes, Percussion
Nick Prince - Visuals
Patrick Harbron - Photography
Paul Northfield - Engineer
Ramon Galbert - Executive Producer
Ray Danniels - Management
Rhonda Ross - Executive Producer
Skip Gildersleeve - Technician
Steve Byron - Monitor Mix Engineer
Terry Brown - Producer
Tom Berry - Executive Producer
Tom Linthicum - Live Sound
Val Azzoli - Executive Producer
Zach Blackstone - Assistant Engineer
Although they don't often get the credit that some other early music video innovators do, Rush was one of the first rock groups to issue home videos on a somewhat regular basis. During the '80s alone, everyone's favorite Canadian trio issued three live home videos -- 1981's Exit...Stage Left, 1984's Grace Under Pressure Tour, and 1989's A Show of Hands. With just about every hardcore fan still clutching their well-worn VHS copies, 2006 finally saw the trio of releases issued as a multi-DVD box set, Replay X 3. Weighing in at four discs total (also included as a bonus is an audio CD of Grace Under Pressure Tour), the set offers solid proof as to why Rush was one of the top North American concert draws of the '80s. The decade saw Rush largely streamline their sound. Gone, for the most part, were extended compositions, while synthesizers played a more prominent role (and various members began modeling dinner jackets on-stage). The performances that comprise the first two DVD's were aired quite a bit as Saturday Night Concert specials during MTV's formative years, and capture the group at their creative peak, especially such performances as "Limelight" and "Tom Sawyer" (from Exit) and "The Spirit of Radio" and "Distant Early Warning" (from Grace). While the third performance doesn't fare quite as well as the others (the group was perhaps a bit too mesmerized with electronics and clean production during this time), there's no denying that Rush were one of the top bands to balance musicianship with showmanship. And as an extra bonus with the set comes miniature replicas of tour books from each appropriate tour. It seemed like there was no way Rush could top their expansive 2005 DVD release, R30 (which combined a complete modern day performance with archival material). But somehow they have, with the must-see Replay X 3. The band released a new studio album, Snakes & Arrows in 2007. ~ Greg Prato, All Music Guide
Rush
Active Decades: '70s, '80s, '90s and '00s
Born: 1968 in Toronto, Ontario, Canada
Genre: Rock
Styles: Hard Rock, Prog-Rock/Art Rock, Arena Rock, Album Rock
Over the course of their decades-spanning career, the Canadian power trio Rush emerged as one of hard rock's most highly regarded bands; although typically brushed aside by critics and although rare recipients of mainstream pop radio airplay, the group nonetheless won an impressive and devoted fan following while their virtuoso performance skills solidified their standing as musicians' musicians.
Rush formed in Toronto, Ontario, in the autumn of 1968, and initially comprised guitarist Alex Lifeson (born Alexander Zivojinovich), vocalist/bassist Geddy Lee (born Gary Lee Weinrib), and drummer John Rutsey. In their primary incarnation, the trio drew a heavy influence from Cream, and honed their skills on the Toronto club circuit before issuing their debut single, a rendition of Buddy Holly's "Not Fade Away," in 1973. A self-titled LP followed in 1974, at which time Rutsey exited; he was replaced by drummer Neil Peart, who also assumed the role of the band's primary songwriter, composing the cerebral lyrics (influenced by works of science fiction and fantasy) that gradually became a hallmark of the group's aesthetic.
With Peart firmly ensconced, Rush returned in 1975 with a pair of LPs, Fly by Night and Caress of Steel. Their next effort, 1976's 2112, proved their breakthrough release: a futuristic concept album based on the writings of Ayn Rand, it fused the elements of the trio's sound -- Lee's high-pitched vocals, Peart's epic-length compositions, and Lifeson's complex guitar work -- into a unified whole. Fans loved it -- 2112 was the first in a long line of gold and platinum releases -- while critics dismissed it as overblown and pretentious: either way, it established a formula from which the band rarely deviated throughout the duration of their career.
A Farewell to Kings followed in 1977 and reached the Top 40 in both the U.S. and Britain. After 1978's Hemispheres, Rush achieved even greater popularity with 1980's Permanent Waves, a record marked by Peart's dramatic shift into shorter, less sprawling compositions; the single "The Spirit of Radio" even became a major hit. With 1981's Moving Pictures, the trio scored another hit of sorts with "Tom Sawyer," which garnered heavy exposure on album-oriented radio and became perhaps their best-known song. As the 1980s continued, Rush grew into a phenomenally popular live draw as albums like 1982's Signals (which generated the smash "New World Man"), 1984's Grace Under Pressure, and 1985's Power Windows continued to sell millions of copies.
As the decade drew to a close, the trio cut back on its touring schedule while hardcore followers complained of a sameness afflicting slicker, synth-driven efforts like 1987's Hold Your Fire and 1989's Presto. At the dawn of the 1990s, however, Rush returned to the heavier sound of their early records and placed a renewed emphasis on Lifeson's guitar heroics; consequently, both 1991's Roll the Bones and 1993's Counterparts reached the Top Three on the U.S. album charts. In 1996, the band issued Test for Echo and headed out on the road the following summer. Shortly thereafter, Peart lost his daughter in an automobile accident. Tragedy struck again in 1998 when Peart's wife succumbed to cancer. Dire times in the Rush camp did not cause the band to quit. Lee took time out for a solo stint with 2000's My Favorite Headache; however, rumors of the band playing in the studio began to circulate. It would be five years until anything surfaced from the band. Fans were reassured in early 2002 by news that Rush were recording new songs in Toronto. The fruit of those sessions led to the release of Rush's 17th studio album, Vapor Trails, later that spring. In 2004 the band embarked on their 30th anniversary tour, and in 2006 they returned to the studio to begin work on a new album. The resulting Snakes & Arrows was released in May 2007, followed by Snakes & Arrows Live in early 2008.
---Jason Ankeny, All Music Guide |
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