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5.673 Ft
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1. | When It's Sleepytime Down South
with Marcus Roberts/Reginald Veal/Herlin Riley
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2. | Stardust
with Branford Marsalis/Kent Jordan/Kenny Kirkland/Ron Carter
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3. | Embraceable You
with Marcus Roberts/Reginald Veal/Herlin Riley
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4. | Reflections
with Wycliffe Gordon/Wes Anderson/Walter Blanding/Victor Goi
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5. | After You''ve Gone
with Eric Reed/Reginald Veal/Lewis Nash
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6. | The Seductress
with Wynton Marsalis/Ellis Marsalis
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7. | My Ideal
with Branford Marsalis/Kenny Kirkland/Phil Bowler/Jeffrey Wa
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8. | Spring Yaounde
with Wes Anderson/Todd Williams/Wycliffe Gordon/Eric Reed/Re
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9. | Melancholia
with Branford Marsalis/Kent Jordan/Kenny Kirkland/Ron Carter
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10. | Where Or When
with Wynton Marsalis/Ellis Marsalis
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11. | I Guess I''ll Hang My Tears Out To Dry
with Eric Reed/Reginald Veal/Lewis Nash
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12. | April In Paris
with Marcus Roberts/Robert Leslie Hurst III/Jeff "Tain" Watt
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13. | I Can't Get Started
with Wycliffe Gordon/Alvin Batiste/Todd Williams/Wes Anderso
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14. | Flamingo
with Wynton Marsalis/Ellis Marsalis/Reginald Veal/Herlin Ril
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Jazz
As a staunch jazz classicist and a vociferous champion of its traditions, Wynton Marsalis should seem right at home playing an album of jazz standards. And, in fact, he does. Marsalis is well suited to classic, acoustic sets, in part because of his clear, lyrical tone on the trumpet, but mostly because of his love for the music (Marsalis's aversion to avant garde, fusion, and other experimental takes on the genre is well known).
The set list of STANDARDS has many of the usual suspects, including "April in Paris," "A Foggy Day," "Django," and "Caravan." It's clear Marsalis isn't out to radically re-invent these tunes, but rather to give them classic renderings, summoning the ghost of early, acoustic post-bop with an appealing sense of balance, beauty, and technical precision.
There's something comforting about standards. They speak to and for our emotions and as a result we recognize ourselves, our souls, in these classic and timeless songs. The performances found here follow in the tradition of the greats who used the standard as a bridge into the world of jazz. Like so many interpretations before them, these recordings aim straight for the heart and never miss. And all are given the distinctive and delightful Marsalis touch. And all are given the distinctive and delightful Marsalis touch. |
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