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Kérjen
árajánlatot! |
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| 1. | All the Things You Are
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| 2. | My Funny Valentine
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| 3. | I Love You
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| 4. | Violets
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| 5. | Corcovado
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| 6. | Autumn Leaves
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| 7. | Free for All
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Arnold Ludwig van Dijk
Dutch pianist, mainly active in the jazz genre. Born 27 November 1941 in Amsterdam, died 12 April 2020 in Laren.
Frank Rosolino - Trombone
Jacques Schols - Bass
John Engles - Drums
The Metropole Orchestra
* Alderson - Photography
* Dolf Van Der Linden - Conductor
* Jamey Aebersold - Liner Notes, Mastering
* Jerry Van Rooyen - Arranger
* Joop de Roo - Liner Notes, Producer
This album brings together two Rosolino recording sessions made in the Netherlands during 1973 and 1976 which sat somewhere for 20 years. One of jazz's premier players, this album displays Rosolino's unique facility with the trombone. Although he died tragically in 1978, he remains an major influence on the way the slide instrument is played. The opening cut sets the tone with a 13 minute plus exploration of all the nooks and crannies of "All the Things You Are." This is followed by a similar in-depth improvisional probe of "My Funny Valentine." Although the Metropole Orchestra is highlighted on the album cover, it is present on just 2 of the 7 tracks . One of them, "Violets," was written especially for Rosolino by Jerry Van Rooyen. On this track, and on the other backed by the Metropole Orch., Rosolino plays with long, clean, melodic lines, putting out the mellow sound unique to the trombone. For the remaining cuts, Rosolino is backed by the Louis Van Dyke Trio collaborating on Jerry Van Rooyen's arrangements. Rosolino uses strong staccato attack on all of these tunes, spurred on by Van Dyke's driving piano. Van Dyke does not permit any lapse into a softer playing style.
---Dave Nathan, All Music Guide
Frank Rosolino
Active Decades: '50s, '60s and '70s
Born: Aug 20, 1926 in Detroit, MI
Died: Nov 26, 1978 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Cool, Third Stream, Mainstream Jazz
The horrible way that Frank Rosolino's life ended (killing himself after shooting his two sons) has largely overshadowed his earlier musical accomplishments. One of the top trombonists of the 1950s, Rosolino's fluid and often-humorous style put him near the top of his field for awhile.
He was a guitarist when he was ten, but switched to trombone as a teenager. After serving in the military, Rosolino played with the big bands of Bob Chester, Glen Gray, Gene Krupa (1948-1949), Tony Pastor, Herbie Fields, and Georgie Auld. However, all of those experiences were just preludes to his high-profile association with Stan Kenton (1952-1954), which gave him fame. Rosolino recorded frequently in Los Angeles as a member of the Lighthouse All-Stars (1954-1960), a freelancer, and as a studio musician. His song "Blue Daniel" became a jazz standard, and Rosolino was a popular attraction as a brilliant trombonist and a comical singer. He was with Supersax for a period in the 1970s. Rosolino's shocking ending was a surprise to even his closest associates.
---Scott Yanow, All Music Guide |
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