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The Big Gundown - John Zorn Plays the Music of Ennio Morricone |
John Zorn |
első megjelenés éve: 2000 50 perc |
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(2008)
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 CD |
4.881 Ft
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1. | The Big Gundown
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2. | Peur Sur la Ville
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3. | Poverty
Once Upon a Time in America
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4. | Milano Odeo
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5. | Erotico
The Burglars
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6. | Battle of Algiers
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7. | Giu la Testa
Duck You Sucker!
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8. | Metamorfosi
LA Classe Operaia VA in Paradiso
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9. | Tre Nel 5000
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10. | Once Upon a Time in the West
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11. | The Sicilian Clan
bonus track
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12. | Macchie Solari
bonus track
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13. | The Ballad of Hank McCain
Vocal Version, bonus track
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14. | Svegliatti and Uccidi
bonus track
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15. | Chi Mai
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16. | Ballad of Hank McCain
True Instrumental. bonus track
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Jazz
15th Anniversary - Special Edition
Principally recorded at Radio City Music Hall, New York, New York between September 1984 and September 1985
John Zorn (spoken vocals, alto saxophone, piano, harpsichord, saw); Arto Lindsay (vocals, guitar); Bobby Previte (vocals, tympani, percussion); Luli Shioi, Diamanda Galas (vocals); Mike Patton (spoken vocals); Tim Berne (alto saxophone); Jim Stanley (trombone, bass trombone); Vicki Bodner (oboe, English horn); Toots Thielmans (harmonica, whistling); Orvin Aquart (harmonica); Mark Feldman (violin); Erik Friedlander (cello); Wayne Horvitz (piano, organ, celeste); John Patton (organ); Fred Frith (acoustic & electric guitars); Bill Frisell, Jody Harris, Vernon Reid, Richard Quine, Melvin Gibbs, Marc Ribot (guitar); Melvin Gibbs (bass); Mark Miller (drums, tympani); Anton Fier, Joey Baron (drums)
Includes liner notes by Robert Polito and David Bither. All tracks have been digitally remastered.
THE BIG GUNDOWN documents the meeting of two brilliant compositional minds. Here, in something that resembles a multi-dimensional, kaleidoscopic dream, saxophonist and musical deconstructionist John Zorn interprets selections from Ennio Morricone's legendary film scores. Long enjoyed and admired by artists and the general public alike, Morricone's music for films like A Fistful of Dollars and Once Upon A Time In The West is fertile ground for Zorn's wildly inventive arrangements.
Joined by talented friends like Fred Frith, Arto Lindsay, Bill Frisell, Diamanda Galas and Vernon Reid, Zorn translates these familiar pieces into completely new idioms: employing batucadas, trombones, shakuhachi, tapes and turntables, saws, screaming electric guitars, surdos and duck calls. Treatments of "Tre Nel 5000," and "Milano Odea," for example, become explorations of a fragmented, vital, startling, whimsical and always compelling nature. Recommended for fans of either artist and lovers of unique, intelligent music. |
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