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Kérjen
árajánlatot! |
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| 1. | The Girl From Ipanema
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| 2. | Triste
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| 3. | Desafinado
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| 4. | Luiza
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| 5. | Insensatez (How Insensitive)
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| 6. | Samba De Uma Nota So (One Note Samba)
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| 7. | Corcovado (Quiet Nights)
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| 8. | Favela (O Morro Nao Tem Vez)
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| 9. | Agua De Beber
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| 10. | O Grande Amor
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| 11. | Vivo Sohando (Dreamer)
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| 12. | Chovendo Na Roseira (Double Rainbow)
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| 13. | Once I Loved (Amor en Paz)
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| 14. | Dindi
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| 15. | Chega De Saudade (No More Blues)
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| 16. | Aguas De Marco (Waters Of march)
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Jazz
One of the first CD compilations of Jobim's music, yet it doesn't scrimp on the time too much (nearly an hour) and it hits mostly all the right marks. The selection varies between Jobim's versions of his compositions (taken mostly from the 1963 The Composer of Desafinado Plays album), the Stan Getz versions that brought them to America's attention, and the 1974 sessions that resulted in Elias and Tom. Featured vocalists are, of course, Astrud Gilberto, Elis Regina, and Jobim himself. There have been better versions of some of these songs, while some are classics, but the package gives a fine overview for beginners.
---Ted Mills, Courtesy All Music
A fine compilation of his '60s work with the label. Jobim pretty much invented bossa nova, the mixture of cool jazz and Brazilian samba, with his early work with singer/guitarist Joao Gilberto and tenor saxophonist Stan Getz. Richer than traditional samba, which consisted primarily of acoustic guitar and percussion, bossa nova was a silky smooth but still rather exotic form of music in the early '60s, and tracks like Jobim's classic "The Girl From Ipanema"--here in its full-length studio version featuring Joao Gilberto's traditional-styled Portuguese opening that leads into Getz's gently swinging solo and Astrud Gilberto's singing debut on the grammatically-challenged English verse--ignited a faddish adoration of Brazilian and Latin jazz that has never really gone away. Jobim recorded most of his best-known songs many times in a variety of settings, and aside from a variety of minor quibbles, the compilers of COMPACT JAZZ did an excellent job of picking the best version of each tune. Those wanting a quick and easy introduction to the work of Antonio Carlos Jobim should look no further. |
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