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| 4.500 Ft
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| 1. | Indiana
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| 2. | Almost Like Being in Love
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| 3. | Summer Serenade
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| 4. | All That Jazz
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| 5. | Blue Star
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| 6. | When Lights Are Low
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| 7. | Taking a Chance on Love
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Jazz
Ed Thigpen - Drums
Jesper Lundgaard - Bass
Richard Boone - Vocals
* Alun Morgan - Liner Notes
* Anders Stefansen - Release Production
* Hans Nielsen - Engineer
* Jan Persson - Photography
* Karl Emil Knudsen - Producer
* Pearce Marchbank - Design
In 2008, Storyville released Benny Carter in Copenhagen, a straight-up reissue of Summer Serenade, an album that was recorded in the capital of Denmark on August 17, 1980, a few days after Carter's 77th birthday. The music taped at that session is an excellent example of Carter's mature artistry. Backed by pianist Kenny Drew, bassist Jesper Lundgaard, and drummer Ed Thigpen (the vocalist on "All That Jazz" is one Richard Boone), Carter uses his saxophone to reinvent several jazz standards, reinterpret several of his own compositions, and reaffirm his place as one of the original architects and longtime sustainers of the jazz tradition. If you missed the original release and the 1994 reissue eluded detection, you might want to pounce on this while it's still readily available.
---arwulf arwulf, All Music Guide
Benny Carter
Active Decades: '20s, '30s, '40s, '50s, '60s, '70s, '80s and '90s
Born: Aug 08, 1907 in New York, NY
Died: Jul 12, 2003 in Los Angeles, CA
Genre: Jazz
Styles: Big Band, East Coast Blues, Jump Blues, Mainstream Jazz, Swing
To say that Benny Carter had a remarkable and productive career would be an extreme understatement. As an altoist, arranger, composer, bandleader, and occasional trumpeter, Carter was at the top of his field since at least 1928, and in the late '90s, Carter was as strong an altoist at the age of 90 as he was in 1936 (when he was merely 28). His gradually evolving style did not change much through the decades, but neither did it become at all stale or predictable except in its excellence. Benny Carter was a major figure in every decade of the 20th century since the 1920s, and his consistency and longevity were unprecedented.
Essentially self-taught, Benny Carter started on the trumpet and, after a period on C-melody sax, switched to alto. In 1927, he made his recording debut with Charlie Johnson's Paradise Ten. The following year, he had his first big band (working at New York's Arcadia Ballroom) and was contributing arrangements to Fletcher Henderson and even Duke Ellington. Carter was with Henderson during 1930-1931, briefly took over McKinney's Cotton Pickers, and then went back to leading his own big band (1932-1934). Already at this stage he was considered one of the two top altoists in jazz (along with Johnny Hodges), a skilled arranger and composer ("Blues in My Heart" was an early hit and would be followed by "When Lights Are Low"), and his trumpet playing was excellent; Carter would also record on tenor, clarinet (an instrument he should have played more), and piano, although his rare vocals show that even he was human.
In 1935, Benny Carter moved to Europe, where in London he was a staff arranger for the BBC dance orchestra (1936-1938); he also recorded in several European countries. Carter's "Waltzing the Blues" was one of the very first jazz waltzes. He returned to the U.S. in 1938, led a classy but commercially unsuccessful big band (1939-1941), and then headed a sextet. In 1943, he relocated permanently to Los Angeles, appearing in the film Stormy Weather (as a trumpeter with Fats Waller) and getting lucrative work writing for the movie studios. He would lead a big band off and on during the next three years (among his sidemen were J.J. Johnson, Miles Davis, and Max Roach) before giving up on that effort. Carter wrote for the studios for over 50 years, but he continued recording as an altoist (and all-too-rare trumpeter) during the 1940s and '50s, making a few tours with Jazz at the Philharmonic and participating on some of Norman Granz's jam-session albums. By the mid-'60s, his writing chores led him to hardly playing alto at all, but he made a full "comeback" by the mid-'70s, and maintained a very busy playing and writing schedule even at his advanced age. Even after the rise of such stylists as Charlie Parker, Cannonball Adderley, Eric Dolphy, Ornette Coleman, and David Sanborn (in addition to their many followers), Benny Carter still ranks near the top of alto players. His concert and recording schedule remained active through the '90s, slowing only at the end of the millenium. After eight amazing decades of writing and playing, Benny Carter passed away quietly on July 13, 2003 at a Los Angeles hospital. He was 95.
---Scott Yanow, All Music Guide |
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