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Blues for a Gypsy
Frank Vignola
első megjelenés éve: 2001
(2001)

CD
4.161 Ft 

 

IMPORT!
Kosaramba teszem
1.  Donna Lee
2.  Blues for a Gypsy
3.  Tears
4.  Cryin'
5.  Gypsy Bach
6.  By the Fire
7.  Laura
8.  Fishing with Django
9.  Angel Eyes
10.  Limehouse Blues
11.  Misty
12.  Gypsy Dreams
13.  Please
14.  I Surrender Dear
15.  Train Ride
16.  Manoir des Mes Revers
Jazz

Guitar genius Frank Vignola makes an auspicious Acoustic Disc debut on Blues for a Gypsy (ACD-43). The top ranked, New York-based jazz guitarist who currently performs with both the Mark O'Connor and Les Paul Trios, delves into acoustic solo renditions of gypsy-inspired music.

Displaying his finesse with original compositions "Gypsy Fire," "Gypsy Dreams" and the title track, Vignola pays respect to legendary guitarist Django Reinhardt ("Tears," "Manoir de mes Reves") and performs unique interpretations of compositions by Charlie Parker ("Donna Lee"), Les Paul ("Cryin'") and Erroll Garner ("Misty").

Co-produced by David Grisman, Blues for a Gypsy was captured direct to 2-track analog, mastered with the HDCD process and delivers the exceptional sound quality and musical excellence that has become the hallmark of Acoustic Disc.

"Imagine Django Reinhardt's gypsy guitar flare applied to a Charlie Parker tune or a delta blues, or even the solo violin music of J.S. Bach. Well that's exactly what guitar genius frank Vignola has accomplished in this unique recording - and more. Frank's playing is steeped in the Rheinhardt tradition but, more in mportantly, it's not a prisoner there. His musical outlook is wide and varied, touching upon many jazz traditions, old and less old."
--- David Grisman



Frank Vignola

Active Decades: '90s and '00s
Born: Dec 30, 1965
Genre: Jazz
Styles: Contemporary Jazz, Jazz-Pop, Post-Bop, Swing

An extremely versatile jazz guitarist, Frank Vignola has demonstrated that he is capable of playing everything from fusion and commercial pop-jazz to hard bop, post-bop, and swing. The native New Yorker has a wide variety of influences; everyone from Wes Montgomery, Joe Pass, and Pat Metheny to Django Reinhardt and Charlie Christian has affected his playing in some way. For Vignola, different influences have asserted themselves at different times -- the Reinhardt or Christian influence might be especially prominent in a swing environment, whereas he has sometimes sounded more Metheny-ish in fusion or pop-jazzNAC settings. And he might be mindful of Montgomery or Pass on a hard bop or post-bop project. Born on suburban Long Island on December 30, 1965, Vignola was raised in the New York area. The Italian-American started playing the guitar at the age of five and grew up admiring a variety of guitarists. Far from a jazz snob, Vignola never listened to jazz exclusively and was also a major fan of rock, R&B, and pop. The guitarists that he admired ranged from jazz musicians to rock icons like Eric Clapton and Eddie Van Halen. As a young adult, Vignola studied at the Cultural Arts Center of Long Island and went on to enjoy a lot of sideman gigs in the 1980s. The New Yorker was 27 when, in 1993, he signed with Concord Jazz and recorded his first Concord session as a leader, Appel Direct. Several more Concord releases followed in the 1990s, and the early 2000s found Vignola recording for Nagel-Heyer as well as Acoustic Disc.
--- Alex Henderson, All Music Guide

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