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| Members Don't Git Weary |
| Max Roach |
angol
első megjelenés éve: 1968 |
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| (2008)
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CD |
| 3.566 Ft
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| 1. | Abstrutions
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| 2. | Libra
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| 3. | Effi
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| 4. | Equipoise
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| 5. | Members Don't Git Weary
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| 6. | Absolutions
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Jazz
Recorded at RCA Studio B, New York, New York in June 1968
Max Roach (drums); Andy Bey (vocals); Gary Bartz (alto saxophone); Charles Tolliver (trumpet); Stanley Cowell (piano); Jymie Merritt (electric bass)
Producer: Joel Dorn.
Reissue producers: Donald Eflman, Naomi Yoshii.
Originally released on Atlantic (1510). Includes liner notes by Ed Williams.
Digitally remastered by Gene Paul (DB Plus, New York, New York).
Max Roach is difficult, if not impossible, to pigeonhole; the bebop drumming revolution that he and Kenny Clarke spearheaded in the 1940s was merely one period in what would be a long and varied career. This 1968 release finds the ever-evolving drummer in a standard jazz quintet setting.
Songs on MEMBERS, DON'T GIT WEARY range from the funk grooves of "Abstrutions," to the gospel-inflected title track, to the modern post-bop feel of "Absolutions." On the latter, the electric bass colors the song with a decidedly funkier feel. MEMBERS is representative of the emerging late '60s style of jazz that was then developing despite the loss of one of its key innovators, tenor saxophonist John Coltrane. The album hints at changes to come: flux that would cause jazz to collide with rock, R&B, and world music as jazz fusion, or the ultra-intense experimentalism that would finally reach its height in the '70s avant-garde of the Art Ensemble of Chicago. MEMBERS is an album that adds to jazz's great conversation, and for this reason alone, it's worth investigating. |
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