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4.585 Ft
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1. | Tom-Kattin
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2. | Old Reliable
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3. | A Lady's Vanity
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4. | Translation
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5. | Nr 1
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6. | Nr 2
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7. | Good Luck
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8. | Tricrostism
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9. | Bo-Bi My Boy
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10. | Body And Soul
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11. | Op Meets Lt
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12. | Dancing Sunbeam
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13. | Little Tenderfoot
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14. | The Plain But The Simple Truth
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15. | Mister Man
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16. | Once There Was
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Jazz
#1-4: Lucky Thompson (ts), Jimmy Cleveland (tb, out in #3), Hank Jones (p), Oscar Pettiford (b), Osie Johnson (d) January 30, 1956 #5-7: Don Abney (p) replaces Hank Jones December 12, 1956 #8-11: Lucky Thompson (ts), Skeeter Best (g), Oscar Pettiford (b) January 24, 1956 #12-15: Same personnel as above December 11, 1956 #16: Don Abney (p) replaces Skeeter Best December 12, 1956
Lucky Thompson (ts), Jimmy Cleveland (tb), Skeeter Best (g), Hank Jones (p), Oscar Pettiford, Don Abney (b), Osie Johnson (d) Lucky Thompson (1924-2005) has probably been the most underrated tenorist of his generation. After an active period in both the New York and Los Angeles scenes during the Forties, his career began to suffer all kind of in and outs, and from 1949 up to 1954 Lucky's name rarely appeared on jazz club marquees. Fortunately, since that year the 'unlucky' Lucky Thompson would temporarily find what he was looking for. Lucky described the sessions at hand as the first "I got the freedom and the men I desired." Here he blows his heart out in one of the most sustained examples of creative, soulful improvisation ever recorded. It is a hard-swinging set powered by Lucky's big tone and beautifully built ideas, featuring the strength and driving pulse of Oscar Pettiford's bass. |
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