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| Tragicomic |
| Vijay Iyer |
| első megjelenés éve: 2008 |
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| (2008)
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CD |
| 3.991 Ft
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| 1. | Weight of Things
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| 2. | Macaca Please
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| 3. | Aftermath
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| 4. | Comin' Up
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| 5. | Without Lions
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| 6. | Mehndi
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| 7. | Age of Everything
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| 8. | Window Text
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| 9. | I'm All Smiles
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| 10. | Machine Days
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| 11. | Threnody
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| 12. | Becoming
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Jazz
Sunnyside presents Vijay's long-awaited new quartet disc, his first since 2005's stunningly acclaimed Reimagining. Featuring the same longstanding ensemble (Iyer, saxophonist Rudresh Mahanthappa, bassist Stephan Crump, and drummer Marcus Gilmore), the album includes ten Iyer originals and two astonishing covers: a rhythmically charged dub version of Bud Powell's "Comin' Up" and a solo rendition of the standard "I'm All Smiles."
"a near-certainty to be acclaimed as one of the best jazz discs of the year... starkly beautiful and powerful... one of the most powerful quartets in all of emergent jazz." - Jeff Simon, Buffalo News
Named the #1 Rising Star Jazz Artist of the Year and #1 Rising Star Composer of the Year in the Downbeat Magazine International Critics' Poll for both 2006 and 2007, VIJAY IYER [pronounced "VID-jay EYE-yur"] was described in The Village Voice as "the most commanding pianist and composer to emerge in recent years." The son of Indian immigrants, he is a largely self-taught creative musician grounded in the American jazz lexicon and drawing from a wide range of Western and non-Western traditions. A young musician with a large, diverse, and respected body of work, Vijay is widely regarded as one of "the new stars of jazz" (U.S. News & World Report) and one of "today's most important pianists" (The New Yorker).
Forthcoming in spring 2008 are two new discs - Tragicomic under Vijay's name, and Door, the third album by the collective trio Fieldwork. Previously, Vijay has released ten highly acclaimed recordings as a leader or co-leader, including Memorophilia (1995), Architextures (1998), Panoptic Modes (2001), Blood Sutra (2003) and Reimagining (2005) under his own name; Your Life Flashes (2002) and Simulated Progress (2005) with Fieldwork; Raw Materials (2006) in duo with saxophonist Rudresh Mahanthappa; and In What Language? (2004) and Still Life with Commentator (2007), his large-scale works in collaboration with poet-performer Mike Ladd.
Iyer has toured worldwide with his ensembles and collaborations, including the Vijay Iyer Trio / Quartet ("a formidable force... startlingly effective and unflinchingly forward-looking... one of the great rhythm units of the day" - Chicago Tribune); his multidisciplinary projects with Mike Ladd ("unfailingly imaginative and significant" - JazzTimes); Fieldwork ("a jazz power trio for the new century" - NPR's Fresh Air); and Raw Materials with Rudresh Mahanthappa ("a total triumph from beginning to end" - All About Jazz).
His recent engagements as a composer-performer include the Next Wave Festival at the Brooklyn Academy of Music; the Asia Society, Merkin Hall, Zankel Hall, and Alice Tully Hall in New York City; the Bang on a Can Marathon; the Painted Bride Art Center and the Annenberg Center in Philadelphia; the TBA Festival at the Portland Institute of Contemporary Art; the Smithsonian Institution and the Kennedy Center in Washington, D.C.; the New World Theater at the University of Massachusetts, Amherst; the Roy and Edna Disney CalArts Theater (REDCAT) in Los Angeles; Memorial Hall at UNC Chapel Hill; Lisner Auditorium at George Washington University; the Wexner Center at Ohio State University; The Walker Art Center in Minneapolis; the McCarter Theater at Princeton University; the Max M. Fisher Music Center in Detroit; Cal Performances at U.C. Berkeley; and international music festivals in Paris, London, New York, The Hague, Copenhagen, Rotterdam, Strasbourg, Amsterdam, Toronto, Ottawa, Cheltenham, Ljubljana, Nijmegen, Ulrichsburg, Molde, Victoriaville, Guelph, Atlanta, Newport, Montreal, Vancouver, Victoria, Calgary, Winnipeg, Perth, Melbourne, San Francisco, Seattle, Chicago, Rochester, Verona, and Mumbai.
As a composer/performer, Iyer has received commissioning grants from Meet The Composer, the New York State Council on the Arts, the Rockefeller Foundation MAP Fund, the Mary Flagler Cary Charitable Trust, American Composers Forum, Chamber Music America, and Creative Capital Foundation. He received the prestigious 2003 CalArts Alpert Award in the Arts, is a 2006 Fellowship recipient from New York Foundation for the Arts, and was voted 2004 Up & Coming Musician of the Year in the Eighth Annual Jazz Awards.
Iyer's first orchestral work, Interventions, was commissioned and premiered by the American Composers Orchestra in March 2007 under the baton of Dennis Russell Davies for the ensemble's 30th anniversary gala concerts. It was praised by Anthony Tommasini in The New York Times as "all spiky and sonorous," and David Patrick Stearns of the Philadelphia Inquirer wrote that the piece "immediately proclaimed its importance." Peter Burwasser wrote in the Philadelphia City Paper, "[Iyer] brings it off with a heft and dramatic vision and a daring sense of soundscape."
Other concert works include Mutations I-X (2005) commissioned and premiered by the string quartet Ethel, and Three Episodes for Wind Quintet (1999) written for Imani Winds. He also created the music for Betrothed (2007), an original theater/dance work by director Rachel Dickstein from stories by Jhumpa Lahiri, Anton Chekhov, and S. Ansky; Variety praised "the ravishing live accompaniment of Iyer's sophisticated, raga- and jazz-influenced score" and The New Yorker wrote that "Vijay Iyer's liquid music shimmers throughout." Vijay also co-created the score for the esteemed Ethiopian-American filmmaker Haile Gerima's forthcoming feature, Teza.
Iyer has collaborated in performance and on disc with a wide range of contemporary artists, including Steve Coleman, Roscoe Mitchell, Amiri Baraka, Wadada Leo Smith, Dead Prez, Amina Claudine Myers, Butch Morris, George Lewis, Miya Masaoka, Trichy Sankaran, Samir Chatterjee, Pamela Z, Imani Uzuri, Will Power, Suphala, Dafnis Prieto, Burnt Sugar, Karsh Kale, Ibrahim Quraishi, DJ Spooky, and many others.
A polymath whose work has spanned the sciences, arts, and humanities, Iyer holds a B.S. in Mathematics and Physics from Yale College, and a Masters in Physics and an interdisciplinary Ph.D. in Technology and the Arts from the University of California at Berkeley. He was chosen as one of nine "Revolutionary Minds" in the science magazine Seed, and his research in music cognition has been featured on the radio programs This Week in Science and Studio 360. He has given master classes and lectures in composition, improvisation, cognitive science, jazz studies, and performance studies at New York University, The New School University, California Institute of the Arts, Columbia University, Harvard University, Manhattan School of Music, and the School for Improvisational Music, among others. His writings appear in Music Perception, Current Musicology, Journal of Consciousness Studies, Critical Studies in Improvisation, and the edited anthologies Uptown Conversation: The New Jazz Studies (Columbia Univ. Press) and Sound Unbound (MIT Press).
Vijay is a Steinway artist.
Vijay Iyer
Active Decades: '90s and '00s
Born: 1971
Genre: Jazz
Styles: Avant-Garde, M-Base, Progressive Jazz, World Fusion
Born in 1971 to parents who emigrated from India to the U.S. in the 1960s, the Bay Area-based composer and pianist Vijay Iyer led three distinct combos: Spirit Complex, the Poisonous Prophets, and the Vijay Iyer Trio. All three groups appeared on the musician's 1995 debut on Asian Improv, Memorophilia, a collection fusing jazz forms with the rhythms of South Asian music. In addition to working to create interactive software for improvised musical performance, Iyer worked frequently with alto saxophonist and M-Base pioneer Steve Coleman in his groups the Mystic Rhythm Society and the Secret Doctrine, and occasionally sat in with the Five Elements. By the time of Panoptic Modes' release in late 2001, Iyer had a working quartet with alto saxophonist Rudresh Mahanthappa, bassist Stephan Crump, and drummer Derrek Phillips. Phillips gave way to Tyshawn Sorey, and the quartet released Blood Sutra in 2003. At the same time, Iyer was working with hip-hop's Mike Ladd on In What Language?, an examination of the often dehumanizing world of international travel in a post 9-11 world, also released in 2003. He continued working with Mahanthappa and Ladd, appearing on Mahanthappa's Mother Tongue in 2004 and Ladd's Negrophilia: The Album in 2005 before releasing his own Reimagining, also in 2005. He was back with Mahanthappa for 2006's Raw Materials and Ladd for 2007's Still Life with Commentator. Tragicomic appeared in 2008.
---Jason Ankeny, All Music Guide |
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