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CD |
| 3.566 Ft
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| 1. | Introduction
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| 2. | Summertime
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| 3. | A Woman Is a Sometime Thing
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| 4. | Gone, Gone, Gone
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| 5. | My Man's Gone Now
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| 6. | It Ain't Necessarily So
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| 7. | Here Comes de Honey Man
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| 8. | I Loves You Porgy
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| 9. | A Red Headed Woman
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| 10. | Clara, Clara
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| 11. | There's a Boat Dat's Leavin' Soon for New York
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Jazz
Recorded: Entourage Studios, Hollywood, California (08/12/2003 - 08/13/2003)
Billy Harper - tenor sax, Tim Hagans - trumpet, Gary Smulyan - baritone sax, Dave Woodley - trombone, Cecilia Coleman - piano, Ray Drummond - bass, Joe La Barbera - drums, Don Shelton - alto flute & soprano and tenor sax, John Riley - bassoon & tenor sax, Stephanie O'Keefe - French horn, Bob Carr - bass clarinet, Greg Huckins - bass clarinet, Tom Delibero - trumpet, Louis Fasman - trumpet, Les Lovitt - trumpet, Les Benedict - trombone, Bill Roper - tuba
Porgy and Bess was Gershwin's longest and most ambitious work as well as his personal favorite. Jazz arrangers have found the epic, folk opera's thematic material fertile ground for embellishment and reinvention. Mark Masters has succeeded admirably in bringing his own concept to these familiar pieces. As in previous projects, Masters' 'in and out" approach re-casts the music while retaining its substance. He provides a series of stimulating send-offs, backgrounds, and riffs that complement but never overwhelm the soloists.
* Andy Waterman - Engineer
* Anthony Cuca - Artwork
* Mark Masters - Arranger, Conductor, Executive Producer
* Ron Teeples - Executive Producer, Photography
* Stacy Carson - Assistant, Mastering
* Thomas C. Burns - Executive Producer
* Todd Reid - Design
One of the finer arrangers in the Los Angeles area, Mark Masters worked for Stan Kenton's Creative World in the 1980s and has led his Jazz Composers Orchestra since the early '80s. His big band has recorded for Sea Breeze (1984 and 1986), Capri (1990), and Focus (1993); the latter a set of Jimmy Knepper compositions.
--- Scott Yanow, All Music Guide |
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