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Sittin' on the Thing with Ming
Joshua Breakstone
első megjelenés éve: 1994
(1994)

CD
5.421 Ft 

 

IMPORT!
Kosaramba teszem
1.  Sittin' on the Thing With Ming
2.  Baltimore
3.  Funny
4.  About You
5.  Down at Roger's Place
6.  Crazy
7.  Exit 6
8.  A Simple Song for a Simple Time
Jazz

Joshua Breakstone: guitar, producer
Kenny Barron: piano
Ray Drummond: bass
Keith Copeland: drums

* Rudy Van Gelder - Engineer, Mastering

Joshua Breakstone's guitar solos are almost entirely single-note runs (without any chording) and are quite hornlike. His outing for Capri puts the emphasis on his originals and finds Breakstone heading a top quartet comprised of pianist Kenny Barron, bassist Ray Drummond and drummer Keith Copeland. The guitarist is heard in typically swinging form on these straightahead pieces, playing in a smooth-toned boppish style that has a few surprising twists and turns.
---Scott Yanow, All Music Guide

"Breakstone's flowing single note lines are firmly rooted in the hard bop tradition of his mentor and biggest influence, pianist Barry Harris, while his rich tone and driving feel are connected to the Grant Green School."
--- Bill Milkowski - Jazz Times, Dec.'94



Joshua Breakstone

Active Decades: '70s, '80s, '90s and '00s
Born: Jul 22, 1955 in Elizabeth, NJ
Genre: Jazz
Styles: Cool, Hard Bop

A fine bop-based guitarist, Joshua Breakstone discovered jazz when he was 14. He studied for several years with Sal Salvador, yet at the time was gigging regularly with a rock group. He attended Berklee, and in 1977, toured Canada with the reed player Glen Hall, making his recording debut on Hall's Sonora release. During and after teaching guitar at the Rhode Island Conservatory of Music (1979-1981), Breakstone worked in New York with Warne Marsh, Emily Remler, Dave Schnitter, and Vic Juris. In 1983, he recorded his first album (Wonderful!) for Sonora. While that date had Barry Harris on piano, his follow-up featured Kenny Barron. Breakstone went on to record for Contemporary (including a quartet date featuring Pepper Adams), Capri, Evidence, and Double-Time, helping keep the legacy of quiet bop guitar alive.
---Scott Yanow, All Music Guide

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