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| 4.076 Ft
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| 1. | Rediscovery
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| 2. | Godchild
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| 3. | Band Aid
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| 4. | Off Shore
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| 5. | Rhodomagnetics
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| 6. | Soft Shoe
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| 7. | Happy Little Sunbeam
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| 8. | I'll Get By (As Long as I Have You)
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| 9. | Marvos Manny
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| 10. | Time Travel
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Jazz
John Paul McNeil - Liner Notes, Trumpet
Bill McHenry - Sax (Tenor)
Jochen Rueckert - Drums
Joe Martin - Bass
* Christopher Drukker - Graphic Design
* Georgia Elrod - Photography
* Michael Perez Cisernos - Engineer
John McNeil
Active Decades: '70s, '80s, '90s and '00s
Born: 1948 in Yreka, California
Genre: Jazz
Styles: Modern Creative, Post-Bop, Contemporary Jazz, Avant-Garde Jazz
John McNeil grew up in Yreka, CA. The little town off of I-5 wasn't exactly brimming with musical knowledge, but the tenacious McNeil still taught himself trumpet and learned to read music on his own. By his late teens the young trumpeter was playing in combos throughout northern California; by the mid-'70s he was freelancing in New York City and gaining a reputation as an innovative, lyrical player. He performed with the Thad JonesMel Lewis Orchestra at the Village Vanguard, and led his own groups at various area clubs. By the latter part of the decade, McNeil had joined the Horace Silver Quartet and secured a solo contract with SteepleChase. The label issued a flurry of McNeil releases, including 1978's Embarkation and The Glass Room, Faun, and (with Tom Harrell) Look to the Sky in 1979.
In the 1980s, the trumpeter continued to work as both a sideman and leader. He appeared as a soloist with Gerry Mulligan's band, and formed the John McNeil Trio/Quartet for 1983's I've Got the World on a String. He toured internationally, and was recognized by the contemporary jazz community as a go-to writer, arranger, and producer.
McNeil went on to issue a series of critically acclaimed albums, including the Kenny Burger collaborations Hip Deep (1996, Brownstone) and Brooklyn Ritual (1998, Synergy). Released in 2001, Fortuity featured a few pop-inspired numbers, like a Latin-flavored interpretation of the Beatles' "I Will." The Latin influence continued with 2003's This Way Out (Omnitone), which McNeil recorded in Barcelona with tenor saxophonist Gorka Benitez and bassist Giulia Valle. The record was breezy, bold, and curious, and proved that McNeil's hunger for music hadn't diminished an iota from those days learning trumpet in the fields of Yreka.
Since then, McNeil has kept busy releasing Sleep Won't Come in 2004, East Coast Cool in 2006, and Rediscovery in 2008.
---Johnny Loftus, All Music Guide |
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