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| 8.553 Ft
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| 1. | Ai No Corrida
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| 2. | The Dude
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| 3. | Just Once
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| 4. | Betcha' Wouldn't Hurt Me
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| 5. | Somethin' Special
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| 6. | Razzamatazz
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| 7. | One Hundred Ways
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| 8. | Velas
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| 9. | Turn on the Action
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Jazz
Quincy Jones - Arranger, Producer, Trumpet, Vocals, Vocals (Background)
Abraham Laboriel - Bass
Bill Reichenbach Jr. - Trombone
Casey Cysik - Vocals, Vocals (Background)
Charles May - Vocals
Chuck Findley - Trumpet
David Foster - Piano, Piano (Electric)
David Wolinski "Hawk" - Clavinet, Keyboards
Ernie Watts - Flute, Saxophone
Greg Phillinganes - Handclapping, Piano (Electric), Synthesizer
Herbie Hancock - Piano, Piano (Electric)
Ian Underwood - Synthesizer
James Ingram - Vocals, Vocals (Background)
Jerry Hey - Arranger, Horn, Trumpet
Jim Gilstrap - Vocals, Vocals (Background)
John "J.R." Robinson - Drums, Handclapping
Kim Hutchcroft - Flute, Saxophone
Lalomie Washburn - Vocals, Vocals (Background)
Larry Williams - Flute, Saxophone
Lenny Castro - Handclapping, Percussion
Louis Johnson - Bass, Handclapping
Michael Boddicker - Synthesizer
Michael Jackson - Vocals, Vocals (Background)
Patti Austin - Vocals, Vocals (Background)
Paulinho Da Costa - Percussion
Robbie Buchanan - Keyboards, Piano (Electric), Strings
Steve Lukather - Guitar
Stevie Wonder - Keyboards, Synthesizer
Syreeta Wright - Vocals, Vocals (Background)
Tom Bahler - Trumpet, Vocals, Vocals (Background)
Toots Thielemans - Guitar, Harmonica
Yvonne Lewis - Vocals, Vocals (Background)
* Johnny Mandel - Arranger
Introducing The Dude and have you met his woman Patti Austin
Now running his own Qwest label and a thousand other things, Quincy Jones still owed one more album to A&M -- and he gave them a blockbuster, one that reached number ten, yielded three hit pop singles and made a star out of soul balladeer James Ingram. "Ai No Corrida," and the leadoff track, is the Quincy Jones hit method par excellence -- great pacing, superb sound, a catchy tune, a hot Ernie Watts tenor sax solo and you can dance to it, too. Stevie Wonder's irresistible synthesizer hooks lift his "Betcha Wouldn't Hurt Me," and Q and omnipresent composer Rod Temperton are far-seeing enough on the title track to anticipate the rise of rap. But where does all of this pop wizardry, soon to assume mythic dimensions on Michael Jackson's Thriller, leave the jazz listener? Yes, Quincy has thought of you too, however briefly, on Ivan Lins' wistful "Velas," where perennial house jazzer Toots Thielemans eloquently returns, taping his part in Belgium. Obviously, though, the main purpose here is to make hit pop singles, and The Dude does a pretty good job of that.
---Richard S. Ginell, All Music Guide |
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