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| The Best of Miami Vice |
| Jan Hammer |
| első megjelenés éve: 2004 |
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| (2004)
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CD |
Kérjen
árajánlatot! |
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| 1. | Miami Vice Theme
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| 2. | Crockett's Theme
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| 3. | Voodoo Dance
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| 4. | South Beach
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| 5. | Lombard Trial
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| 6. | Boat Party
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| 7. | Candy
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| 8. | Angelina Flashback
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| 9. | Rain
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| 10. | Clues
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| 11. | The Talk
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| 12. | Gina
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| 13. | Airport Swap
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| 14. | Runaround
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| 15. | El Viejo Mix
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Jazz / Television Music
Jan Hammer - Author, Producer
Mark McCarty - Photography
AAO Music's 2004 release The Best of Miami Vice contains a mixture of three new recordings and 12 tracks originally released on One Way's 2002 double-disc set Miami Vice: The Complete Collection. That release contained a wealth of Jan Hammer reinterpretations of themes he wrote for Michael Mann's television series, and The Best of Miami Vice follows through on that notion, selecting several of the best reinterpretations and adding Hammer's new spins on "Miami Vice Theme," "Crockett's Theme," and "South Beach." These new spins provide hardcore fans with a good reason for picking up this disc, and those listeners who never got around to getting Miami Vice: The Complete Collection will find this concise, entertaining collection a good alternative since it contains much of the best from that set and is an entertaining listen in its own right.
--- Stephen Thomas Erlewine, All Music Guide
To pop music fans, keyboardist Jan Hammer is best known for his work on the soundtrack of the stylish '80s cop series Miami Vice. But Hammer also achieved considerable success in the jazz fusion world, both on his own and as a charter member of John McLaughlin's legendary Mahavishnu Orchestra. Though jazz purists often decry major portions of his solo work, Hammer has undeniably left his mark, both musically and commercially.
A native of Prague, in what was then Czechoslovakia, Hammer was born into a musical family (on April 17, 1948) and began studying piano at age four. By age 14, he was working with a touring and recording jazz ensemble that also included future Weather Report member Miroslav Vitous. Hammer studied theory and composition at the Prague Academy of Muse Arts, but when the Soviet Union invaded Czechoslovakia in 1968, he emigrated to the U.S. After attending the Berklee School of Music, he landed a year-long touring engagement with Sarah Vaughan as both keyboardist and conductor. In 1970, Hammer settled in Manhattan and recorded as a sideman with Elvin Jones and Jeremy Steig. The following year, he joined the Mahavishnu Orchestra, appearing on landmark fusion albums like The Inner Mounting Flame and Birds of Fire. After the group disbanded at the end of 1973, Hammer reunited with Mahavishnu violinist Jerry Goodman for the album Like Children (1974). Hammer's official solo debut came with 1975's The First Seven Days, and he assembled a backing unit called the Jan Hammer Group for the supporting tour. The Hammer Group recorded prolifically over the next two years, including collaborations with guitarist Jeff Beck, and their brand of fusion shifted towards R&B-styled grooves. After 1978's Melodies, Hammer disbanded the group and recorded a true solo album, Black Sheep, playing all the instruments himself. In short order, though, he formed another backing band, this one called simply Hammer.
The early '80s found Hammer working with, among others, Al DiMeola (Electric Rendezvous) and Journey guitarist Neal Schon (Untold Passions and Here to Stay), as well as supporting Jeff Beck in the studio. Hammer was becoming increasingly involved in pop/rock session collaborations, and by 1984, he had already moved into composition for television and film as well, debuting as a soundtrack composer with the film A Night in Heaven. His big break in this arena came when the producers of a new MTV-style police series called Miami Vice tapped him as weekly score composer. When a soundtrack album was released in 1985, including several Hammer compositions as well as rock songs featured in the series, Hammer's driving opening theme music hit number one on the pop singles charts, the first TV theme to do so since 1976. The album was a worldwide success, and "Miami Vice Theme" won Hammer two Grammys (Best Pop Instrumental Performance and Best Instrumental Composition).
Hammer remained involved with Miami Vice until 1988, when he retired to upstate New York to construct a home studio and return to solo recording. The first result was Snapshots, issued in 1989, another true solo album on which Hammer performed every note himself. Subsequently, Hammer rededicated himself to soundtrack composition, including 1992's acclaimed computer-animation project Beyond the Mind's Eye. 1994's Drive became Hammer's first non-soundtrack recording in five years; for the remainder of the decade, Hammer continued his profitable work for TV, film, commercials, and even video games.
---Steve Huey, All Music Guide
Styles: Fusion, Pop/Rock, TV Soundtracks, Crossover Jazz, Television Music |
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