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| The Best of Hubert Laws |
| Hubert Laws |
| első megjelenés éve: 2008 |
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| (2008)
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CD |
Kérjen
árajánlatot! |
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| 1. | Syrinx
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| 2. | Fire and Rain
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| 3. | Allegro from Concerto No.3 In
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| 4. | The Rite of Spring
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| 5. | Amazing Grace
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| 6. | Morning Star
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| 7. | Moment's Notice
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| 8. | Gymnopédie No. 1
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| 9. | Chicago Theme (Love Loop)
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| 10. | Minight at the Oasis
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| 11. | Farnadole: l'Arlésienne Suite No.2
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Jazz
Hubert Laws - Arranger, Flute
Airto Moreira - Percussion
Al Brown - Viola
Alan Shulman - Cello
Billy Cobham - Drums
Bob James - Arranger, Keyboards, Piano, Piano (Electric)
Charles Libove - Violin
David Friedman - Percussion, Vibraphone
David Nadien - Violin
David Sanborn - Sax (Alto)
Emanuel Green - Violin
Emanuel Vardi - Viola
Fred Alston, Jr. - Bassoon
Freddie Waits - Drums
Gary King - Bass
Gayle Dixon - Violin
Gene Bertoncini - Guitar
George Ricci - Cello
Glen Deardorff - Guitar
Harold Kohon - Violin
Harry Cykman - Violin
Harry Lookofsky - Violin
Harvey Mason, Sr. - Drums
Jack DeJohnette - Drums
Joe Beck - Guitar
John Tropea - Guitar
Matthew Raimondi - Violin
Max Ellen - Violin
Paul Gershman - Violin
Phil Upchurch - Guitar
Ralph MacDonald - Percussion
Randy Brecker - Trumpet
Richard Landrum - Percussion
Ron Carter - Bass
Ronnie Laws - Sax (Tenor)
Steve Gadd - Drums
* Bruce Mishkin - Art Direction
* Creed Taylor - Producer
* Denis DeCoteau - Conductor
* Didier C. Deutsch - Liner Notes, Producer
* Don Sebesky - Arranger
* Joel Zimmerman - Art Direction
* Lesley Schiff - Artwork
* Mark Wilder - Mastering, Mixing
* Rudy Van Gelder - Engineer
* Wally Kane - Bassoon
Some of Hubert Laws' more commercial recordings left much to be desired, but at his best, he's been a highly imaginative soloist who can play jazz, classical and R&B equally well. A fine overview of his CTI efforts of the early to-mid-'70s, The Best of Hubert Laws is an eclectic and unpredictable CD that finds him offering adventurous interpretations of everything from John Coltrane's "Moment's Notice" to classical pieces by Stravinsky ("The Rite of Spring") and Bach ("Allegro from Concerto #3 in D"). While an NAC/smooth jazz artist would play a mindless, note-for-note cover of Maria Muldaur's "Midnight at the Oasis," the flutist insightfully transforms the 1974 pop hit into gritty jazz-funk. Electric keyboardist Bob James performs some excellent solos, which expose and underscore the vacuous and shallow nature of his subsequent work.
---Alex Henderson, All Music Guide |
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