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| 3.651 Ft
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| 1. | It's On
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| 2. | Café Con Leche
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| 3. | Wake Up Call
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| 4. | She's Gone
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| 5. | That Man
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| 6. | Ode to Billy Joe
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| 7. | Rock Me Softly
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| 8. | Undercover
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| 9. | Keep That Same Old Feeling
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Jazz
Bradley Leighton - Flute, Flute (Alto), Liner Notes
Allan Phillips - Arranger, Bass, Drums, Engineer, Keyboards, Mastering, Mixing, Percussion, Producer, Programming
Brian Dunne - Drums
Cesar Lozano - Drums
Evan Marks - Guitar
Greg Adams - Trumpet
Jason Miles - Arranger, Engineer, Keyboards, Producer
Katreese Barnes - Lead, Vocals, Vocals (Background)
Mic Gillette - Trombone, Trumpet
Paula Prophet - Composer, Lead, Vocals, Vocals (Background)
Rhonda Smith - Bass
Sherrod Barnes - Guitar
Tom Braxton - Sax (Alto), Saxophone
Tom Scott - Duet, Sax (Alto), Sax (Tenor), Saxophone
Soul Collective, featuring Greg Adams, Tom Scott, Mic Gillette, Tom Braxton, Evan Marks & Jason Miles & introducing Paula Prophet.
Singles of "It's On!" and "She's Gone" will be mailed to radio the week of the 25th of February. Stay tuned for more news on this great sound with great players.
Individuals coming together to produce soulful sounds. With this album we feature the flute in a variety of different ensemble settings. Each combination producing its own unique sound.
The resulting music is fresh and funky - with just enough old school greaze added to “keep that same old feeling alive and well.
* Darrell Harvey - Engineer
* Donna Nichols - Executive Producer
* Duncan Moore - Engineer
* Pauline Reese - Art Direction, Graphic Design, Photography
Bradley Leighton is a fine flute player who is a bit reminiscent in tone and style of Herbie Mann. Like Mann, Leighton is often heard in a wide variety of settings, ranging from creative jazz to crossover pop. The music on Soul Collective almost ranges that far, from fine examples of funky jazz to a pair of throwaway R&B vocals. Some of the music seems aimed at the smooth market while other selections would function best as background music for dancers. The musicianship is excellent, the rhythm sections groove, and the horn section (which includes Tom Scott on three selections) is full of talent. Leighton plays quite well throughout. But nothing all that unexpected occurs and the results are a bit too predictable and safe to be all that memorable.
---Scott Yanow, All Music Guide |
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