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CD BT Kft. internet bolt - CD, zenei DVD, Blu-Ray lemezek: Nightsongs - More Late Night Guitar CD

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Nightsongs - More Late Night Guitar
Earl Klugh
első megjelenés éve: 2007
(2007)

CD
3.481 Ft 

 

IMPORT!
Kosaramba teszem
1.  Ain't Misbehavin'
2.  Theme from The Pawnbroker
3.  The Look of Love
4.  Nature Boy
5.  Stay Gold
Theme from The Outsiders
6.  Night Song
7.  See See Rider
8.  A Certain Smile
9.  The Shadow of Your Smile
10.  Theme from Picnic
Jazz

Earl Klugh - Arranger, Guitar, Main Performer, Producer, Rhythm Arrangements
Barry Eastmond - Keyboards
Brian Brake - Drums
Grady Tate - Drums
Lucio Hopper - Bass
Ron Carter - Bass
Sammy Figueroa - Percussion
Toots Thielemans - Harmonica

* Dave Matthews - Conductor, Orchestral Arrangements
* Dave Palmer - Engineer, Mixing
* Don Sebesky - Conductor, Orchestral Arrangements
* Greg Calbi - Mastering
* Jerry Farber - Photography
* Jonathan Widran - Liner Notes
* Marl Larson - Design
* Matt Pierson - Reissue Producer
* Peter Alfieri - Design
* Roland Wilson - Producer
* Roy Kuhara - Art Direction

Mosaic Records, known for its historic compilations of Blue Note recordings in either box sets or the Mosaic Select series, introduces its Contemporary line with this reissue of Earl Klugh's 1985 recording. At the least, it is a curious anomaly to all the label's other packages. At best, fans of Klugh will be happy to revisit tunes they may have only owned on vinyl. It's primarily the same syrupy orchestrations by Don Sebesky, the same lugubrious after-hours tempos, and Klugh's laid-back, mostly acoustic guitar framing movie themes, ballads, and an occasional standard. The solo acoustic takes of the swing evergreen "Ain't Misbehavin'" and an always bluesy "See See Rider" are still the standout cuts, flute beautifully leads and identifies the wondrous, poignant "Nature Boy" and "A Certain Smile," while oboe fronts the "Theme from Picnic." "Stay Gold" and "Night Song" remain sleepy, while Klugh's take on "The Look of Love" will always be a George Benson imitation. Klugh put out much better efforts, to brighter, less glossed-over effect, on his earlier Blue Note recordings. This one is not all that essential.
--- Michael G. Nastos, All Music Guide

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