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| 1. | I'll Remember April
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| 2. | I Should Care
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| 3. | Woody 'N You
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| 4. | Two Bass Hit
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| 5. | Will You Still Be Mine?
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| 6. | April in Paris
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| 7. | Blue 'N' Boogie
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Jazz
Recorded at Contemporary's Studio, Los Angeles, California on November 12 & 13, 1956
Digitally remastered by Gary Hobish (1991, Fantasy Studios, Berkeley, California)
Hampton Hawes Quartet
Hampton Hawes - Keyboards, Piano
Bruz Freeman - Drums
Jim Hall - Guitar
Red Mitchell - Bass
Hampton Hawes became a professional musician in 1944, when he was 16. Twelve years later he had developed into one of the most brilliant jazz pianists of the post-war period. In late 1956, having recorded three acclaimed trio albums for Contemporary, Hawes added the 25-year-old guitarist Jim Hall for a long night and morning of recording in the spirit of an organized jam session. So pronounced was the empathy among Hawes, Hall, bassist Red Mitchell, and drummer Bruz Freeman, so intense the swing and good feeling, that virtually everything they recorded was released, in three volumes. This is the second, made up of four of the best standards ever written and three classic compositions by Dizzy Gillespie.
* Roy DuNann - Engineer
* Arnold Shaw - Liner Notes
* Gary Hobish - Remastering
* Lester Koenig - Producer
This is the second of three albums that came about as the result of an all-night recording session that took place in Los Angeles on November 12 and 13, 1956. Although Hampton Hawes spontaneously created five original tunes at this extraordinarily inspired date, everything on Vol. 2 comes directly out of the standard bop musician's working repertoire. The quartet, with bassist Red Mitchell, guitarist Jim Hall, and drummer Eldridge "Bruz" Freeman, collectively improvise their way through four attractive standards ("I Should Care" turned out to be the only slow ballad of the entire session) and three of Dizzy Gillespie's most refreshing creations. In 1958 Hawes was quoted as saying "It's hard to put into words how good it feels to play jazz when it's really swinging...I've reached a point where the music fills you up so much emotionally that you feel like shouting hallelujah -- like people do in church when they're converted to God. That's the way I was feeling the night we recorded All Night Session!" The complete All Night Session! was reissued in its entirety with one previously unreleased track by the Definitive label in 2007.
---arwulf arwulf, All Music Guide
Originally released on Contemporary (7546)
Includes liner notes by Arnold Shaw |
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