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CD |
| 5.078 Ft
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| 1. | Tin Tin Deo
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| 2. | Lover Man
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| 3. | Sonny's Blues
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| 4. | Summertime
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| 5. | Willow Weep for Me
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| 6. | Sunny
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| 7. | Hooti's Blues [*]
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| 8. | Untitled Blues [*]
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Jazz
Recorded Live in Bologna, Italy, January 28, 1974.
Sonny Criss (as)
George Arvanitas (p), Jacky Samson (b), Charles Saudrais (d)
"In January-February 1974, we went to Italy to do a series of concerts organized by the Centre Cultural d'Emilie. I personally consider that tour to have been of great benefit to Sonny, since I sincerely believe he had never really 'streched out' so much before in his life. This live recording, which to me is much better than one made in studio, is proof of Sonny's enormous talent".
--- George Arvanitas (liner notes)
*previously unreleased
* George Avanitas - Liner Notes
* Jordi Pujol - Release Production
This live set by the unjustly underappreciated alto saxophonist Sonny Criss from Italy in 1974 is a case in point for his tremendous lyricism, original tone, and hard-swinging soulfulness. Fronting the Georges Arvanitas Trio, Criss ushers the company through a series of fine pop and jazz standards, including Bobby Hebb's "Sunny" (a tune that was a Criss signature), Gershwin's "Summertime," "Willow Weep for Me," "Lover Man," Jay McShann's "Hooti's Blues," and a stunning, driving read of the Latin-infused "Tin Tin Deo." Criss also contributes his lovely "Sonny's Blues," as it comes out of "Lover Man" and changes the deeply grooving slow pace with a moaning blues, Bobby Timmons-style. Criss, despite his often heartbreakingly beautiful melodicism, is a blues shouter in the old tradition, as informed by Charlie Parker's brand of bop. And while the critics are dead wrong when comparing him to Bird or Sonny Stitt, this set shows he could play a cutting session with either of them. But with a decent rhythm section, and this one is more than that, Criss could display his greatest gift, making the improvisation in any tune a song of its own. Fresh Sounds gets high marks for issuing one of the rare live Criss sides on CD -- with two added unreleased tracks from the gig making it complete. The sound is a little thin in places, but the performance, including the over the top cover of "Summertime," more than compensates.
--- Thom Jurek, All Music Guide |
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