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| 3.651 Ft
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| 1. | I Wish I Were Twins
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| 2. | Pretty Little Baby
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| 3. | Shine
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| 4. | It Was Only a Sun Shower
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| 5. | The Physician
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| 6. | Any-Kind-A-Man (Would Be Better Than You)
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| 7. | Palakiko Blues
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| 8. | Nasty Man
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| 9. | Paradise Wobble
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| 10. | Clip Joint
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| 11. | I'n No Angel
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| 12. | Honolulu Stomp
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| 13. | Someday Sweetheart
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| 14. | I Used to Love You But It's All Over Now
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| 15. | You Went Away Too Far
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| 16. | Sous Les Toits de Paris
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| 17. | Lonely Little Bluebird
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| 18. | Taint No Sin to Take Off Your Skin and Dance Around in Your Bones
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| 19. | Real Estate Papa You Ain't Gonna Subdivide Me
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| 20. | Cooking Breakfast for the One I Love
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| 21. | Maui Chimes "Maui No Ka Oi" (Maui Is Best)
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| 22. | You're a Heavenly Thing
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| 23. | Will You Remember Me
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Jazz
Janet Klein - Photography, Ukulele, Vocals
Billy Steele - Guitar
Brad Kay - Cornet, Piano
Corey Gemme - Cornet
George Edwards - Percussion
Ian Whitcomb - Accordion, Ukulele, Vocals
Paul Shelasky - Violin
Randy Woltz - Percussion, Vibraphone, Xylophone
Robert Armstrong - Banjo, Hawaiian Guitar, Saw, Ukulele
Tom Marion - Banjo, Guitar, Mandolin, Violin
Obscure, Naughty & Lovely songs from the 1910s, 20s and 30s. Soulful, rustic, and authentically inspired interpretations of early 20th century novelty and hot-jazz tunes.
The enchanting ukulele chanteuse, Janet Klein and her intriguing gentlemen pals, the Parlor Boys, perform 23 Late Ragtime and Early Jazz-Age tunes as well as 1920s jazz-styled Hawaiian numbers and French and Amercian speakeasy songs.
Sweet and sexy like a classic showgirl, evoking the vamps of the silent era, Janet Klein coos gloriously sweet numbers such as "You're A Heavenly Thing" and "Cooking Breakfast For the One I Love" and flirts and teases with naughty songs such as " The Physician","Nasty Man" and "I'm No Angel".
Janet's own unique vocal style reflects the old-fashioned sweetness and charm of bygone singers like Ruth Etting, Josephine Baker, Lil Armstrong and Mae West.
Among the Parlor Boys are two alumni of R.Crumb's band "The Cheap Suit Serenaders", Tom Marion, on guitar, mandolin and banjo, and Robert Armstrong, on Hawaiian steel guitar, accordion and saw, as well as recording and radio personality Ian Whitcomb, on ukulele and accordion, composer, band-leader and music historian Brad Kay, on ragtime style piano and cornet, and John Reynolds, on guitar and whistling(grandson of Zasou Pitts).
Janet has managed to charm these time-warped musicians into her parlor and out on the town, performing regularly for audiences in Los Angeles and Northern California.
Also an alluring treat is the CD packaging itself, chockfull of period photographs and ephemera from Janet's collection.
* Paul Hilton - Engineer, Mastering, Mixing
* Robert Loveless - Photography, Producer
* Stephen Walker - Design |
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