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5.860 Ft
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1. | Whims of Chambers
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2. | Bijou the Poodle
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3. | Why Are We Afraid?
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4. | Softly, As in a Morning Sunrise
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5. | Rhythm-A-Ning
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6. | Diane
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7. | Gettin' Together [Original Take]
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8. | Gettin' Together [Alternate Take][*]
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9. | The Way You Look Tonight [*]
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Jazz
Art Pepper - Sax (Alto), Sax (Tenor) Conte Candoli - Trumpet Jimmy Cobb - Drums Paul Chambers - Bass Wynton Kelly - Piano
Art Pepper deserves to be remembered for his artistic achievements rather than for the turbulence of his life or the sensationalism of his autobiography. Fortunately Lester Koenig of Contemporary was always able to record him during Art's best days, and with the best possible rhythm sections. For this occasion he hired what was then the Miles Davis team (Wynton Kelly, Paul Chambers, and Jimmy Cobb), with Conte Candoli to share the front line on three tracks. Pepper and Candoli were then working together regularly at the Lighthouse. Though the alto sax was his principal outlet, he occasionally doubled on tenor, as is demonstrated effectively on the title number, an absorbing and passionate blues.
* Howard Holzer - Engineer * Kirk Felton - Digital Remastering * Lester Koenig - Producer * Martin Williams - Liner Notes * Roger Marshutz - Cover Photo, Photography * Roy DuNann - Engineer
As a sort of follow-up to Art Pepper's match-up with Miles Davis' trio in the 1957 classic Art Pepper Meets the Rhythm Section, Pepper utilizes Davis' sidemen on this 1960 near-classic. In addition to pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb, trumpeter Conte Candoli makes the group a quintet on four of the eight numbers. The CD reissue adds "The Way You Look Tonight" (formerly only available on another LP) and an alternate take of the title cut to the original repertoire. This time around, rather than emphasizing standards, Pepper performs just three ("Softly, As in a Morning Sunrise," Thelonious Monk's "Rhythm-A-Ning," and "The Way You Look Tonight") and includes three originals of his own: "Diane," "Bijou the Poodle," and "Gettin' Together." The music is all very straight-ahead and bop-oriented, but as usual, Pepper brings something very personal and unique to his playing; he sounds like no one else. [The Japanese release changes the track sequence.] ---Scott Yanow, All Music Guide |
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