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The Way You Look Tonight - The Romantic Songs of Jerome Kern
Beegie Adair
első megjelenés éve: 2004
47 perc
(2008)

CD
5.601 Ft 

 

IMPORT!
Kosaramba teszem
1.  The Way You Look Tonight
2.  Pick Yourself Up
3.  Can't Help Lovin' Dat Man
4.  I'm Old Fashioned
5.  A Fine Romance
6.  All the Things You Are
7.  The Song Is You
8.  The Last Time I Saw Paris
9.  Yesterdays
10.  They Didn't Believe Me
11.  Smoke Gets in Your Eyes
12.  Long Ago and Far Away
13.  Old Man River
Jazz

Recorded: Wildwood, Nashville, TN

Beegie Adair (piano); Roger Spencer (bass instrument); Chris Brown (drums)

Single volume (Jerome Kern) from the six-volume Centennial Composers Collection 6-CD Box Set

Beegie's trademark elegance shines through on this collection of romantic standards from the pen of legendary songwriter Jerome Kern, the latest release from her Centennial Composers Collection. Best-loved songs such as The Way You Look Tonight, I'm Old Fashioned, A Fine Romance, and Smoke Gets in Your Eyes are given new life in the capable hands of The Beegie Adair Trio. It's the perfect backdrop for a romantic evening with the one you love.

* Brendan Harkin - Engineer, Mixing
* David Langemann - Assistant Engineer
* Don Boyer - Executive Producer
* Jack Jezzro - Producer
* Kristen Beahm - Graphic Design
* Mike Haynes - Mastering
* Russ Harrington - Photography
* Will Friedwald - Liner Notes

Beegie Adair has long been a staple on the Nashville jazz scene. This tribute to Jerome Kern was one of six CDs issued individually and also as a part of a boxed set. With the support of bassist Roger Spencer and drummer Chris Brown, Adair tackled the formidable challenge of creating fresh arrangements of a baker's dozen of Kern's compositions. Her lush introduction to "All the Things Your Are" is a refreshing change from the almost-mandatory B flat theme created by Dizzy Gillespie. She also reverts to its original relaxed ballad setting rather than making it a bebop racehorse. "Yesterdays" was one of Art Tatum's favorite vehicles, which he turned into a virtuoso showstopper. Adair interprets it as a ballad, with Brown's Latin percussion suggesting a late-night walk on a lonely Caribbean beach as the piano brings to mind the song's wistful lyrics. Many of the other songs were once popular standards among jazz musicians but had fallen out of favor by the 21st century; Adair's interpretations prove that there is plenty of life left in these old chestnuts.
---Ken Dryden, All Music Guide
Weboldal:Green Hill

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