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Kérjen
árajánlatot! |
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| 1. | Countdown
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| 2. | Equinox
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| 3. | Liberia
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| 4. | Dear Lord
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| 5. | Lonnie's Lament
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| 6. | After The Rain
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| 7. | Like Sonny
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| 8. | Pursuance
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| 9. | Alabama
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| 10. | Giant Steps
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| 11. | Latifa
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Jazz
Although saxophonist Kenny Garrett has, like many of his young contemporaries, made some questionable stylistic choicesin his sessions as a leader, he is nevertheless a highly gifted musician who brings to the alto some of the dexterity of Charlie Parker and the harmonic adventurousness of John Coltrane. Projects like PURSUANCE, then, are perfect for Garrett. Since the record is comprised almost entirely of music written by Coltrane, there is no doubt about the quality of the material, but Garrett's technical expertise is given plenty of room to shine through. Help from such stellar players as drummer Brian Blade, bassist Rodney Whitaker, and guitarist Pat Metheny (who plays with a cool bop tone throughout) doesn't hurt either.
Garrett improvises impressively, while staying within Coltrane's larger stylistic parameters. Thefurious fluttering of "Countdown", for example, finds the saxophonist following Coltrane via his own zig-zag pattern. "Giant Steps" is given an intriguing reading, with Coltrane'soriginal phrases quoted, clipped, and re-arranged. Some old-school fans of the music may scoff at the notion of a youngsax man making an entire record of Coltrane covers, but Garrett acquits himself admirably, maintaining his own distinctive sound while paying tribute to the master. |
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