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| 1. | Break On Through
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| 2. | Party Intellectuals
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| 3. | Todo El Mundo Es Kitsch
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| 4. | When We Were Young & We Were Freaks
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| 5. | Digital Handshake
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| 6. | Bateau
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| 7. | For Malena
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| 8. | Fuego
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| 9. | Girlfriend
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| 10. | Midost
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| 11. | Sh Sh Sh Sh
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| 12. | Never Better
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Jazz / Avantgarde; Experimental Rock
Marc Ribot - Guitars, vocals, trumpet, E-flat horn, melodica;
Shahzad Ismaily - Bass, synthesizers, vocals;
Ches Smith - Drums, vocals
"Marc Ribot's new power trio, filled out by the remarkable versatile rhythm team of bassist Shahzad Ismaily and drummer Ches Smith, is his rawest band in ages."
--- Time Out New York
Party Intellectuals is the debut recording from Marc Ribot's Ceramic Dog, a post-everything band combining the energies of two masters of downtown New York City mayhem: guitarist/vocalist Marc Ribot (Tom Waits, John Zorn, Robert Plant, T-Bone Burnett, Marianne Faithful, Lounge Lizards, Elvis Costello) and bassist Shahzad Ismaily (Laurie Anderson, Will Oldham, Jolie Holland, Secret Chiefs 3), with West Coast indie/experimental genius drummer Ches Smith (Xiu Xiu, Secret Chiefs 3, Trevor Dunn's Trio Convulsant). Ribot is a widely recognized original on the guitar, with influence across multiple genres of music, including rock, jazz, punk, Latin, soul, 80s No-Wave, avant-garde and noise. Ceramic Dog draws all of this, along with Ismaily and Smith's indie / electronica experimentation, into the power-packed Party Intellectuals.
Ceramic Dog grew out of a post 9/11 bucket list, when Ribot decided to find out what would happen if he did away with the hyphens haunting his earlier projects: the punk-Latin Cubanos Postizos, the punk-experimental Shrek, and the punk-Albert Ayler Spiritual Unity. It took several years of searching before Ribot found, in Ches Smith and Shahzad Ismaily, the rhythm section with the energy for The Thing itself. Says Ribot, "This is the first time since high school I've been in a real rock band. We actually get together to rehearse just for the fun of it, even when we don't have gigs!"
The name Ceramic Dog is from the French expression "chien de faïence," meaning frozen with emotion - like bristling dogs the moment before they fight, or lovers immobilized in one another's gaze. Live and on Party Intellectuals, the band aims at that intensity, creating hypnotic moments of ecstasy, violence, idiocy, beauty; in other words - pure rock and roll.
Marc Ribot
Active Decades: '80s, '90s and '00s
Born: 1954 in Newark, NJ
Genre: Avntg
Styles: Avant-Garde, Experimental, Post-Punk, Jazz-Rock, Film Music, Experimental Rock, Avant-Garde Jazz, Cuban Jazz
Marc Ribot (pronounced REE-bow) was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. After moving to New York City in 1978, Ribot was a member of the soul/punk Realtones, and from 1984 - 1989, of John Lurie's Lounge Lizards. Between 1979 and 1985, Ribot also worked as a sidemusician with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others.
Ribot's recording credits include Tom Waits, Soloman Burke, John Lurie, Elvis Costello, Marianne Faithful, Arto Lindsay, Caetano Veloso, Laurie Anderson, David Sylvian, Susana Baca, McCoy Tyner, T-Bone Burnett, The Jazz Passengers, The Lounge Lizards, Evan Lurie, Chocolate Genius, Jamaaladeen Tacuma, Cibo Mato, Medeski Martin & Wood, James Carter, Vinicio Caposella (Italy), Auktyon (Russia), Vinicius Cantuaria, Sierra Maestra (Cuba), Alain Bashung (France), Joe Henry, Alan Toussaint, Marisa Monte, Allen Ginsburg, Trey Anastasio, Madeline Peyroux, Patti Scialfa, Sam Phillips, Akiko Yano, The Black Keys, and many others. Ribot frequently collaborates with producer T Bone Burnett, most recently on Alison Krauss and Robert Plant's grammy award winning "Raising Sand" and regularly works with composer John Zorn.
Ribot's own recording projects have included the bands Rootless Cosmopolitans (Island Antilles), Shrek (Tzadik), and Los Cubanos Postizos (Atlantic). Marc's solo recordings include "Marc Ribot Plays The Complete Works of Frantz Casseus" (Les Disques Du Crepuscule), "The Book of Heads" (Tzadik), "Don't Blame Me" (DIW), described as "a record filled with savory and unlikely amusements" by Village Voice, "Saints" (Atlantic), and most recently "Exercises in Futility" (Tzadik).
Marc has performed on scores such as "Walk The Line (Mangold)," "Everything is Illuminated," and "The Departed" (Scorcese)." Marc has also recently composed original scores for the PBS documentary "Revolucion: Cinco Miradas," and the film "Drunkboat," starring John Malkovich and John Goodman. Past scoring project include Yoshiko Chuma's "Altogether Different" dance piece, a documentary film by Greg Feldman titled "Joe Schmoe," a feature film by director Joe Brewster titled "The Killing Zone", and "In as Much as Life is Borrowed", a dance piece by famed Belgian choreographer, Wim Vanderkeybus.
Marc's talents have also been showcased with a full symphony orchestra. Composer Stewart Wallace wrote a guitar concerto with orchestra specifically for Marc. The piece was premiered by the National Symphony Orchestra in Washington DC in July of 2004 and also appeared at The Cabrillo Festival in Santa Cruz, CA in August of 2005.
Marc is currently touring with two bands, the Albert Ayler tribute project "Spiritual Unity" (Pi Recordings), featuring original Ayler bassist Henry Grimes, and Ceramic Dog featuring bassist Shahzad Ismaily an drummer Ches Smith. Ceramic Dog will release their debut album "Party Intellectuals" this May on Pi Recordings in the North America, and Enja in Europe and Japan.
Eclectic guitarist Marc Ribot has recorded a wide variety of music over his career, working with Elvis Costello and on Tom Waits' Rain Dogs. He has also recorded compositions for classical guitar by Haiti's Franz Casseus, a friend of his parents, and has participated actively in New York City's downtown avant-garde music scene for some time, most notably as a member of the Lounge Lizards. Ribot's solo albums include Rootless Cosmopolitans and Requiem for What's His Name; later Ribot worked with his avant-garde jazzrock fusion band, Shrek, whose eponymous debut was released in 1994. With a new group, he also issued Marc Ribot y Los Cubanos Postizos in 1998; Muy Divertido followed two years later. Additionally, Ribot played a major part in initiating the Radical New Jewish Culture Festival in Germany and New York City. Since that time, he has released a bevy of recordings including, among others, The Prosthetic Cubans in 1998, Muy Divertido! in 2000, Scelsi Morning in 2003, Asmodeus: The Book of Angels, Vol. 7 in 2007 and Ceramic Dog in 2008.
---Steve Huey, All Music Guide |
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