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BD Jazz 42 - Diego Dona Solar |
Illinois Jacquet |
első megjelenés éve: 2007 |
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(2008)
[ DIGIPACK + BONUS ]
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 2 x CD |
7.180 Ft
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1. CD tartalma: |
1. | FLYING HOME
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2. | BODY AND SOUL
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3. | BLUES
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4. | ROCK-A-BYE BASIE
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5. | MEMORIES OF YOU
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6. | BOTTOM'S UP
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7. | A GHOST OF A CHANCE
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8. | MINOR ROMP
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9. | DON'T BLAME ME
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10. | JUMPIN' JACQUET
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11. | BLUE MOOD
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12. | THE KING
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13. | PHILHARMONIC BLUES
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14. | STAY ON IT
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15. | MUTTON LEG
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16. | SHE'S FUNNY THAT WAY
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17. | BLOW, ILLINOIS, BLOW
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18. | ROBBIN'S NEST
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19. | IT'S WILD
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20. | GOOFIN' OFF
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21. | PERDIDO
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22. | DESTINATION MOON
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2. CD tartalma: |
1. | RIFFIN' AT 24th STREET
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2. | ADAM'S ALLEY
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3. | HOT ROD
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4. | PASTEL
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5. | ALL OF ME
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6. | SPEEDLINER
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7. | WEARY BLUES
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8. | MEAN TO ME
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9. | COTTON TAIL
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10. | ONE NIGHTER BOOGIE
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11. | SOMEWHERE ALONG THE WAY
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12. | PORT OF RICO
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13. | LEAN BABY
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14. | COOL RAGE
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15. | WHERE ARE YOU?
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16. | WHAT'S THE RIFF?
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17. | IT'S THE TALK OF THE TOWN
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18. | MAMBOCITO MIO
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19. | SEPTEMBER SONG
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20. | SOPHIA
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21. | HONEYSUCKLE ROSE
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Jazz / Blues / Gospel
2 cd with book
Tenor saxophonist Illinois Jacquet exploded onto the jazz scene in 1942 with a memorable solo for Lionel Hampton on Flying Home. His improvisations with the Hampton big band inspired a whole generation of sax players - honkers, screamers and other hirsute, rhythm & blues performers - who remembered only the muscle of Jacquet's virile style... But Jacquet had another, equally fascinating side: the warmth of his sound showed a sensibility and exquisite taste that turned ballads into diamonds. An exceptional artist.
Illustrated by Diego Dona Solar
CD1: FLYING HOME 1942-1947 CD2: COOL RAGE 1947-1955
Illinois Jacquet
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s Born: Oct 31, 1922 in Boussard, LA Died: Jul 22, 2004 in New York, NY Genre: Jazz Styles: Bop, Swing, Jump Blues
One of the great tenors, Illinois Jacquet's 1942 "Flying Home" solo is considered the first R&B sax solo, and spawned a full generation of younger tenors (including Joe Houston and Big Jay McNeely) who built their careers from his style, and practically from that one song. Jacquet, whose older brother Russell (1917-1990) was a trumpeter who sometimes played in his bands, grew up in Houston, and his tough tone and emotional sound defined the Texas tenor school. After playing locally, he moved to Los Angeles where, in 1941, he played with Floyd Ray. He was the star of Lionel Hampton's 1942 big band ("Flying Home" became a signature song for Jacquet, Hampton, and even Illinois Jacquet' successor Arnett Cobb), and also was with Cab Calloway (1943-1944) and well featured with Count Basie (1945-1946). Jacquet's playing at the first Jazz at the Philharmonic concert (1944) included a screaming solo on "Blues" that found him biting on his reed to achieve high-register effects; the crowd went wild. He repeated the idea during his appearance in the 1944 film short Jammin' the Blues. In 1945, Jacquet put together his own band, and both his recordings and live performances were quite exciting. He appeared with JATP on several tours in the 1950s, recorded steadily, and never really lost his popularity. In the 1960s, he sometimes doubled on bassoon (usually for a slow number such as "'Round Midnight") and it was an effective contrast to his stomping tenor. In the late '80s, Jacquet started leading an exciting part-time big band that only recorded one album, an Atlantic date from 1988. Through the years, Illinois Jacquet (whose occasional features on alto are quite influenced by Charlie Parker) has recorded as a leader for such labels as Apollo, Savoy, Aladdin, RCA, Verve, Mercury, Roulette, Epic, Argo, Prestige, Black Lion, Black & Blue, JRC, and Atlantic. Illinois Jacquet died on July 22, 2004. ---Scott Yanow, All Music Guide |
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