  |
|
|
 |
|
CD |
| 3.311 Ft
|
|
| 1. | Muskrat Ramble
|
| 2. | At a Georgia Camp Meeting
|
| 3. | Original Jelly Roll Blues
|
| 4. | Maple Leaf Rag
|
| 5. | Come Back, Sweet Papa
|
| 6. | Fidgety Feet
|
| 7. | London Blues
|
| 8. | Sunset Café Stomp
|
| 9. | Daddy Do
|
| 10. | Milenberg Joys
|
| 11. | Riverside Blues
|
| 12. | High Society
|
| 13. | Cake Walkin' Babies
From Home
|
| 14. | Tiger Rag
|
| 15. | Working Man Blues
|
| 16. | Big Bear Stomp
|
| 17. | Antigua Blues
|
| 18. | Chattanooga Stomp
|
| 19. | Jazzin' Babies Blues
|
| 20. | Ory's Creole Trombone
|
| 21. | Friendless Blues
|
| 22. | Copenhagen
|
| 23. | Emperor Norton's Hunch
|
| 24. | Alcoholic Blues
|
| 25. | My Little Bimbo Down on the Bamboo Isle
|
Jazz
Lu Watters - Trumpet
Bill Dart - Drums
Bob Helm - Clarinet
Bob Scobey - Trumpet
Clancy Hayes - Banjo
Dick Lammi - Bass, Tuba
Don Noakes - Trumpet
Ellis Horne - Clarinet
Harry Mordecai - Banjo
Pat Patten - Banjo
Squire Girsback - Tuba
Turk Murphy - Trombone
Wally Rose - Piano
* Charlie Crump - Vinyl Transcription
* Mark Ranshaw - Cover Art
* Martin Haskell - Remastering, Restoration
* Peter Dempsey - Compilation, Liner Notes, Vinyl Transcription
* Ray Crick - Compilation
The best Lu Watters compilation in the world is a four-CD box set of his Complete Good Time Jazz Recordings. Nothing will ever beat that, and nobody is trying. What the Living Era label presents here are 25 examples of traditional jazz recordings made by this delightful Dixieland revival band in California from December 1941 through February 1950. The instrumental composition of Lu Watters' Yerba Buena Jazz Band was patterned after that of King Oliver's Creole Jazz Band of 1923: two cornets, trombone, and clarinet backed by piano, banjo, and drums; the Yerba Buena added a tuba for extra ballast. The repertoire consisted of hardcore traditional jazz melodies by W.C. Handy, Jelly Roll Morton, King Oliver, Richard M. Jones, Louis Armstrong, and Kid Ory interspersed with original compositions by Watters. Certain participants in these heartwarming recording sessions went on to form their own highly acclaimed traditional jazz ensembles: trumpeter Bob Scobey and trombonist Turk Murphy are familiar names among those who are susceptible to this kind of music. Since an entire generation of postwar beer-drinking Dixieland fans held singing banjoist Clancy Hayes in such high esteem, two examples of his robust vocalizing are included as an accurate representation of what this band sounded like at Hambone Kelly's in El Cerrito, CA, in February of 1950. In a world filled with bitterness and gloomy cynicism, this sort of good-time music is becoming more valuable by the minute.
--- arwulf arwulf, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
