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CD |
| 5.200 Ft
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| 1. | Rifftide
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| 2. | Good Bait
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| 3. | Don't Blame Me
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| 4. | Lady Bird
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| 5. | Wah-Hoo!
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| 6. | Allen's Alley
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| 7. | Embraceable You
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| 8. | Ornithology
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| 9. | All the Things You Are
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Jazz
Miles Davis - Trumpet
Barney Spieler - Bass
James Moody - Sax (Tenor), Saxophone
Kenny Clarke - Drums
Tadd Dameron - Piano
* Allen Weinberg - Art Direction, Design, Graphic Design
* Alun Morgan - Assistant
* Bob Belden - Reissue Producer
* Bruce Lundvall - Producer
* Charles Delaunay - Assistant
* Chiaki Ikematsu - Remastering
* Frank Tenot - Assistant
* Henri Renaud - Executive Producer, Liner Notes, Producer
* Joachim Berendt - Assistant
* John Lewis - Arranger
* Mark Wilder - Remastering
* Marty Greenblatt - Engineer
Miles Davis was best-known during the late '40s for offering an alternative approach to trumpeters Dizzy Gillespie and Fats Navarro, emphasizing his middle register, a softer tone and a more thoughtful approach. This concert performance, which was not released until nearly three decades later, shows that Davis was just as capable of playing hard-driving bebop as most of his contemporaries. In a quintet with tenor-saxophonist James Moody and pianist-composer Tadd Dameron, Davis confounded the French audience by playing very impressive high notes and displaying an extroverted personality. Never content to merely satisfy the expectations of his fans, he was already moving in surprising directions. This LP also gives one a very rare opportunity to hear Miles Davis verbally introducing songs in a voice not yet scarred.
---Scott Yanow, All Music Guide |
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CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
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