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CD |
Kérjen
árajánlatot! |
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| 1. | All About Rosie, Pts. 1-2
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| 2. | Suspensions
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| 3. | Transformation
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| 4. | On Green Mountain
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| 5. | All Set
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| 6. | Revelations
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| 7. | Dancing in the Dark [*]
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| 8. | I Love You [*]
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| 9. | 'S Wonderful [*]
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Jazz
Bill Evans - Piano
Al Beldini - Drums
Art Farmer - Author, Trumpet
Barry Galbraith - Guitar
Charles Mingus - Pizzicato Bass, Vocals
Don Elliott - Bongos, Mellotron, Vibraphone
Ernie Furtado - Bass
Fred Zimmerman - Bass
Gunther Schuller - Arranger, Conductor
Hal McKusick - Sax (Tenor)
James Buffington - Flugelhorn
Jimmy Knepper - Trombone
Joe Benjamin - Bass
John LaPorta - Sax (Alto)
Louis Mucci - Trumpet
Manuel Zegler - Bassoon
Margaret Ross - Harp
Teddy Charles - Vibraphone
Teo Macero - Baritone
Todd Sommer - Drums
This CD is currently unavailable on any format worldwide on Gambit Records. Featuring Art Farmer, Jimmy Knepper, Hal McKusick, Teddy Charles, Joe Benjamin and Barry Galbraith.
Includes Bill Evans' complete Brandeis Jazz Festival June 10, 18 & 20, 1957 performance.
6 full tracks + 3 Bonus Tracks: Bill Evans with Don Elliott at the Newport Jazz Festival, July 6, 1957.
The 1957 Brandeis Jazz Festival featured the work of six of the finest composers from the jazz and 20th Century Classical avant-garde: Russell, Mingus and Giuffre represented the jazz contingency while Schuller, Babbitt and Shapero the classical side. Among the brightest stars of the concerts was pianist Bill Evans, whose considerable talents were tested in a variety of styles to great results. His performances led to an invitation to join Miles Davis’ legendary sextet. The 3 rare bonus tracks here of Evans with Don Elliott at the 1957 Newport Jazz Festival showcase the pianist’s fluid versatility in an unusual quartet setting featuring Elliott alternating between the mellophone and vibraphone.
* Sheldon Cohen - Editing, Liner Notes, Preparation
This oddly packaged CD compilation issued by the European label Gambit is a bit misleading, as it combines titles that appeared on several different releases, though none of the performances actually come from a concert. Most of the material is representative of third stream experiments popular for a time in the late '50s and early '60s, with Bill Evans in the role as a hired hand rather than leader, the role that falls either to conductors Gunther Schuller or George Russell, with most of the tracks originating from a Columbia LP titled Modern Jazz Concert and having reappeared in various incarnations with other selections in earlier reissues. Russell's impressive modern big band scoring of his "All About Rosie" is easily one of the highlights, with terrific ensembles and solos. Charles Mingus' "Revelations" is rather ominous, often suggesting the influence of Igor Stravinsky. The last three tracks are from an unrelated live Newport Jazz Festival Verve recording by mellophonist Don Elliott, who leads a quartet with Bill Evans, bassist Ernie Furtado, and drummer Al Beldini through merely average arrangements of three standards. The piecemeal gathering of these very dissimilar sessions for two different labels is troublesome, though the difficulty in acquiring this music make this edition a viable option for collectors.
---Ken Dryden, All Music Guide |
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