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| 3.311 Ft
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| 1. | Hummin'
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| 2. | Midnight Over Memphis
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| 3. | The Traveler
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| 4. | Theme from M*A*S*H (Suicide Is Painless)
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| 5. | Listen to the Rain
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| 6. | Amor So&
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| 7. | Valerie
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Jazz
Nat Adderley - Cornet, Editing, Mixing, Producer, Remixing, Vocals (Background)
Alfa Anderson Barfield - Vocals
Fernando Gumbs - Bass
Ira Buddy Williams - Drums
John Stubblefield - Reeds (Multiple)
Onaje Allan Gumbs - Piano, Vocal Arrangement
Renee Manning - Vocals, Vocals (Background)
Victor See-Yuen - Percussion
* Biff Dawes - Mixing
* Bill Garland - Illustrations
* Jack Lewis - Editing, Executive Producer, Mixing, Remixing
* Ken Perry - Master Cut
* Leonard Feather - Original Liner Notes
* Monte Kay - Executive Producer
* Tony May - Engineer
Cornetist Nat Adderley's second recording after his brother Cannonball's death feaures him in a sextet with tenor-saxophonist John Stubblefield, keyboardist Onaje Gumbs, bassist Fernando Gumbs, drummer Buddy Williams and percussionist Victor See Yuen. In addition, Nat Adderley Jr. provides vocal arrangements that use his voice plus two other singers on a pair of the seven selections. However the music on this Lp (other than the memorable "Hummin'") is somewhat dated and often a bit commercial; not one of Nat Adderley's more significant releases.
---Scott Yanow, All Music Guide
Nat Adderley
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Nov 25, 1931 in Tampa, FL
Died: Jan 02, 2000 in Lakeland, FL
Genre: Jazz
Nat Adderley's cornet (which in its early days was strongly influenced by Miles Davis) was always a complementary voice to his brother Cannonball in their popular quintet. His career ran parallel to his older brother for quite some time. Nat took up trumpet in 1946, switched to cornet in 1950, and spent time in the military, playing in an Army band during 1951-1953. After a period with Lionel Hampton (1954-1955), Nat made his recording debut in 1955, joined Cannonball's unsuccessful quintet of 1956-1957, and then spent periods with the groups of J.J. Johnson and Woody Herman before hooking up with Cannonball again in October 1959. This time the group became a major success and Nat remained in the quintet until Cannonball's death in 1975, contributing such originals as "Work Song," "Jive Samba," and "The Old Country" along with many exciting hard bop solos. Nat Adderley, who was at the peak of his powers in the early to mid-'60s and became adept at playing solos that dipped into the subtone register of his horn, led his own quintets after Cannonball's death; his most notable sidemen were altoists Sonny Fortune (in the early '80s) and Vincent Herring. Although his own playing declined somewhat -- Adderley's chops no longer had the endurance of his earlier days -- Nat continued recording worthwhile sessions in the years prior to his death on January 2, 2000. Many but not all of his recordings through the years are currently available (for such labels as Savoy, EmArcy, Riverside, Jazzland, Atlantic, Milestone, A&M, Capitol, Prestige, SteepleChase, Galaxy, Theresa, In & Out, Landmark, Evidence, Enja, Timeless, Jazz Challenge, and Chiaroscuro).
---Scott Yanow, All Music Guide |
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