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| Rude Boy [ ÉLŐ ] |
| The Clash |
első megjelenés éve: 2006
127 perc |
| Rock |
| (2006)
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DVD video |
| 4.460 Ft
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| 1. | Police and Thieves
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| 2. | Garageland
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| 3. | London's Burning/White Riot
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| 4. | Tommy Gun
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| 5. | All the Young Punks (New Boots and Contracts)
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| 6. | Stay Free
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| 7. | Complete Control/Safe European Home/What's My Name
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| 8. | No Reason/Let the Good Times Roll
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| 9. | I Fought the Law
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| 10. | English Civil War [*]
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| 11. | White Riot [*]
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| 12. | Clash City Rockers [*]
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| 13. | Tommy Gun [*]
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| 14. | Bonus Material
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Set in the U.K. of 1978 and filmed as a fictional documentary, Rude Boy follows Ray (Ray Gange) as he quits his job in a London sex shop to become a roadie for the most exciting live band in the country - The Clash. Part character study, part "rockumentary", Rude Boy portrays the disillusionment of youth at a time of economic decline in late '70s Britain.
At the center of it all, however, is the most stunning, furiously alive and visually superior footage of The Clash that has ever been recorded. Filmed on the road with the band during their 1978 "Clash on Patrol" and "Sort It Out" U.K. tours, the film captures the frenetic live energy of one of rock's most influential and exciting bands.
With digitally remastered audio and loads of fantastic extras, this long-awaited DVD release is the Clash document that fans have been waiting for.
Features:
- Digitally Restored and Remastered Sound!
- Interview with "Rude Boy" Ray Gange
- Interview with Clash road manager Johnny Green
- Interview with filmmaker Jack Hazan
- Interview with filmmaker David Mingay
- 2 Bonus Live Tracks (that never made that final cut)
- 4 Deleted Scenes
- 1980 Theatrical Trailer
- "Just Play The Clash" songs menu
- Clash photo gallery
- 2 rare 1978 BBC performances
* David Mingay - Director, Interviewee, Producer
* Jack Hazan - Director, Interviewee, Producer
* Johnny Green - Interviewee
* Josh Cheuse - Art Direction, Design
* Ray Lowry - Illustrations
Although time would swiftly negate much of its original impact, the Clash's 1980 movie, Rude Boy, remains one of the most convincing of all the manifold documents of British punk as it happened, tying the movement's political discontent into a historical context that other would-be chroniclers were too intense to see -- a true case of not seeing the woods through all the trees. British youth in the last years of the 1970s truly were trapped between two equally unpalatable extremes: the patent failure of a foundering socialist government on the one hand and the wholly unappetizing prospect of Margaret Thatcher's cruel conservatism on the other. Rude Boy, though it focuses much of its commentary upon a third evil, the ultra-racist National Front party, nevertheless offers a stern wake-up call to anybody tempted to wallow in the nostalgia for the "good old days." They really weren't that good. Neither, unfortunately, is the plot that accompanies the underlying drama, as the Clash take on an archetypal dead-end loser as a roadie, in the utopian hope of offering him a future that he is unable to see. In fact, it rapidly turns out that he isn't simply unable to see it, he doesn't actually want to, and the resultant suggestion that this hopeless youth is, indeed, hopeless is one reason why the bandmembers themselves swiftly distanced themselves from the film. Viewed two decades later, their discontent is less palpable, primarily because the musical accompaniment is so damned good. With cameras rolling throughout the band's 1978 tours, capturing incendiary performances at the Rock Against Racism festival in Victoria Park, Hackney, the Music Machine, the Lyceum, and more, the Clash are caught at the peak of their live powers, before experience and showmanship started shoving their original visceral instinct to one side. Three excerpts from the soundtrack ("London's Burning," "What's My Name," and "I Fought the Law") had already appeared on the From Here to Eternity live anthology; the movie's DVD release includes 11 further performances included in the original movie print, plus two more ("White Riot" and "English Civil War") by way of bonus footage. Other bonuses include production notes, a brief image library, and the ubiquitous animated graphics, but they are little more than momentary distractions. The Clash, on the other hand, are absolutely engrossing.
---Dave Thompson, All Music Guide |
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