| Jazz / Fusion; Jazz-Rock; Guitar Virtuoso 
 Recorded:
 * The Power Station, The Hit Factory
 * Manhattan Center Studios, New York, New York
 
 Al DiMeola - acoustic, electric, classical & 12-string guitars, Kurzweil piccolo flute, pipes, violin, Hawaiian string harp, santour, piano, synthesizer, drums, tablas, cymbals, shakers, percussion, finger snaps
 Hernan Romero - vocals, acoustic guitar, double-neck charango, piano, synthesizer, bells, finger snaps
 George Dalaras - vocals
 Noa - vocals
 Andres Boyarski - saxophone
 Mike Pinella - trumpet
 Conrad Herwig - trombone
 Simon Shaheen - violin
 Mario Parmisano - strings, piano, Fender Rhodes piano, Hammond organ, keyboards, bass, finger snaps
 Marc Johnson - acoustic bass
 Pino Palladino - electric & fretless basses
 Peter Erskine - drums
 Manu Katche - drums
 Steve Gadd - drums
 Gumbi Ortiz - congas, bongos
 
 DiMeola's passion for the acoustic guitar has not diminished his love of electric music. Upon collaboration with Gibson, the Al DiMeola Jazz Guitar was issued. In stark contrast to his customary Les Paul, this guitar is a large hollow-body similar to an L-5. The jazz guitar allows DiMeola to achieve a warmer tone; however, he seemed to be going through a Pat Metheny stage at the time of this recording. The upside is that DiMeola's solos combine his remarkable control with a newfound sense of swing, the downside being that he seems to have lost some of his identity. "Chilean Pipe Song" stands as one of DiMeola's most memorable compositions. The supporting cast of Mario Pamisano and Peter Erskine greatly enhance the music, as each is a distinguishable and tasteful musician. Erskine particularly shines on "Summer Country Song." The one burner here is "Casmir," a fast-paced tune reminiscent of the Elegant Gypsy days. "On My Own" features DiMeola's debut on piano. It is by no means anything spectacular, but it does reaffirm his continued exploration and growth. The strong playing and quality of the compositions make this recommended despite the Metheny flavorings.
 ---Robert Taylor, allmusic
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