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CD |
| 4.881 Ft
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| 1. | Scam
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| 2. | Willow Weep for Me
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| 3. | Bernie's Tune
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| 4. | I Gotta Right to Sing the Blues
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| 5. | Shine
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| 6. | Blue Bossa
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| 7. | Please Send Me Someone to Love
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| 8. | If Dreams Come True
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| 9. | Blues in My Heart
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Jazz / Blues
Recorded at Dukes Mood Room, Pawtucket, Rhode Island
Chris Flory - Guitar, Mixing
Chuck Riggs - Drums
Duke Robillard - Guitar, Mixing, Producer, Vocals
Marty Ballou - Bass
Scott Hamilton - Saxophone
Sugar Ray Norcia - Vocals
* Bob Porter - Liner Notes
* Holger Petersen - Executive Producer
* Jonathan Wyner - Mastering
* Laurene Vickendrath - Photography
* Thom Hiller - Engineer, Mixing
Celebrated jazz guitarist Chris Flory (formerly of the Scott Hamilton Quartet and longtime associate of pianist Judy Carmichael) is joined for his fifth album as a leader by members of the New England jump blues aristocracy: guitarist Duke Robillard (who produced the album and sings on its closing track), Roomful of Blues vocalist Sugar Ray Norcia, bassist Marty Ballou, and drummer Chuck Riggs. Flory's former boss, Scott Hamilton, sits in on two track as well. The result is a program of small-ensemble swing that comes across as genuinely joyful, but maybe just a bit too gentle. Flory's tone is warm and soft, and Robillard seems to be holding back just a bit in response. The rhythm section keeps things moving along nicely but doesn't drive the proceedings as hard as they perhaps should have. But that's not to say that the album isn't thoroughly lovely and genuinely enjoyable -- the group's rendition of "Shine" offers a perfect balance between light virtuosity and inexorable swing, Flory's graceful, tripping solos on "Bernie's Tune" are especially impressive, and Norcia's vocal appearances are all highlights on the program. It's just that if the players had let loose a bit more, this album could have been a real blast. As it is, it's just thoroughly lovely and genuinely enjoyable.
---Rick Anderson, All Music Guide
Chris Flory
Chris Flory played his first gig at the age of thirteen and continued playing in rock and blues bands until his late teens. He took his first guitar lessons from Tiny Grimes in Harlem when he was seventeen. He continued studying jazz with another New York teacher for most of that year, but did not start playing jazz professionally until he was twenty and living in providence, R.I. He first led is own group there and then joined tenor player Scott Hamilton's quartet. That group temporarily disbanded in the summer of 1976 when Scott and Chris made their separate ways to New York.
In New York in the late seventies, Chris was around an impressive array of older jazz masters and played gigs with Hank Jones, Illinois Jacquet, Jo Jones, Buddy Tate, and others. Scott Hamilton began to have more frequent work for the Quartet (later quintet) including recordings for Concord Jazz and Many overseas tours. Chris was part of Scott's group until the early nineties. Benny Goodman employed Chris in his sextet from 1978 until 1983. In the 1980's, Chris also worked for or recorded with such departed jazz greats as Roy Eldridge, Ruby Braff, Maxine Sullivan, and Rose Mary Clooney.
Chris released his first recording as leader in 1990. In this same period he began to tour Europe under his own name and as a sideman with other bandleaders. Chris has had a lengthy association with the side pianist Judy Carmichael, begun in 1986. As part of her group, he has made several recordings, done extensive concert tours of the U.S., and played for the U.S. State Department in Singapore And China.
To date, Flory has recorded four CD's of his own. The first two were done for the Concord Jazz label. His third CD, Word On The Street (recorded in 1996 for Double-Time Jazz) was a trio date with organist Mike LeDonne. His latest effort, Blues In My Heart (Stony Plain 2003) has paired Chris with great blues guitarist Duke Robillard, a player Chris has known and admired for over twenty-five years.
Chris Flory cites guitarists Charlie Christian, Django Reinhardt, Bill Jennings, and Wes Montgomery as his strongest influences. His also retains great respect for the blues and rock players who first inspired him - guitarists like Albert King, B.B. King and Jimmy Hendrix. |
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